Sally Matthews

A renowned classical and opera singer from Southampton, England, Sally Matthews has won over audiences with her spectacular performances. She is most known for her compositions "Mass in C Major, Op. 86: I. Kyrie," "Mass in C Major, Op. 86: III. Credo," and "German Requiem, Op. 45: Ihr habt nun Traurigkeit." Her excellent vocal range and passionate delivery are on display in these tracks, captivating listeners.

Sally Matthews has also received accolades for her performance of "Dialogues des Carmelites, FP 159: Act III Scene 4: Salve Regina," in which she skillfully harmonizes with the ensemble to produce a beautiful masterpiece. Her gentle yet strong vocals blend with the lovely orchestration in "Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina," which is another standout track.

Sally Matthews' reputation as a prominent musician has also been cemented by her performances of "Mass in C Major, Op. 86: V. Benedictus," "Mass in C Major, Op. 86: VI. Agnus Dei," "Dialogues des Carmelites, FP 159: Act I Scene 2: Prelude," "Orff: Carmina Burana, Pt. 3, Cour d'amours: Tempus est iocundum," and " Each of these songs demonstrates her extraordinary talent and capacity to capture the actual spirit of the music.

The popularity of Sally Matthews is evidence of her extraordinary talent and commitment to her trade. Her performances have left a lasting impression on admirers of classical and opera music all across the world.

Britten: The Turn of the Screw (2022), the latest CD by Southampton, United Kingdom-based classical and opera singer Sally Matthews, was just released. This album demonstrates Matthews' extraordinary vocal prowess and her in-depth familiarity with Benjamin Britten's works. The record transports listeners on a thrilling voyage into the enigmatic and terrifying universe of Britten's opera thanks to its haunting melodies and complex arrangements.

Matthews has previously released albums including "Spohr: Die letzten Dinge, WoO 61 (2014)" and "Britten: The Turn of the Screw, Op. 54 (2013)" in addition to her most recent one. These albums show how versatile Matthews is as a musician and how she can interpret a variety of musical genres and styles. These tunes come to life because to her expressive vocals and subtle interpretations, enthralling listeners and creating a lasting impact.

Matthews has made a name for herself in the classical and opera music scenes with her most recent albums. She is a notable performer due to her commitment to her art and capacity to portray the emotional depth of the music. Matthews regularly creates enthralling and unforgettable performances that connect with audiences all around the world thanks to her tremendous talent and love of music.

The most recent album by Sally Matthews, "Britten: The Turn of the Screw (2022)," as well as her earlier works, demonstrate her tremendous aptitude and capacity to bring opera and classical music to life. She stands out above other artists in the field thanks to her expressive vocals and enthralling interpretations, which leave an enduring impression on listeners. Audiences eagerly await Matthews' next musical endeavor as she continues to release new tracks.

Sally Matthews is a classical and opera singer and pianist from Southampton, England. Throughout her career, she has worked with a number of renowned individuals and groups. She collaborated with Sir Colin Davis, the London Symphony Orchestra, and the London Symphony Chorus on Ludwig van Beethoven's "Mass in C Major, Op. 86: I. Kyrie" as one of her notable projects. The orchestral and choral textures are expertly complemented by Matthews' ethereal voice to provide a spellbinding performance of this spiritual song.

Her performance of "German Requiem, Op. 45: Ihr habt nun Traurigkeit" with the London Symphony Orchestra and Valery Gergiev is another memorable collaboration. The careful interpretation of the orchestra and Matthews' expressive performance perfectly reflect the melancholy spirit of Brahms' Requiem. It is evidence of her talent for using her singing to communicate complex emotions.

Francis Poulenc's "Dialogues des Carmelites, FP 159: Act III Scene 4: Salve Regina (La Foule, Les Carmelites, Constance, Blanche)" with Jean-Philippe Lafont and Yann Beuron is another noteworthy collaboration. Constance, a young novice nun, is portrayed by Matthews in a haunting and sensitive way. Together with Lafont and Beuron, she creates an entrancing vocal ensemble that brings Poulenc's operatic masterwork to life.

Sally Matthews' flexibility as a musician and her capacity for collaborating well with various musicians and ensembles are both highlighted by these projects. Her partnerships with renowned orchestras, conductors, and composers have enhanced the classical and opera music scenes and had a profound effect on listeners all around the world.