Michael Kraus

Austrian classical and opera musician Michael Kraus has become well known for his exceptional talent and impressive performances. His most well-known compositions include "Die Vogel / Act 2: Halt, halt!" and "Die Prinzessin auf der Erbse (The Princess and the Pea), Op. 43: Prelude." These songs serve as a showcase for Kraus's outstanding vocal prowess and his in-depth knowledge of the genre.

Listeners are captivated by the song "Die Vogel / Act 2: Halt, halt!" due to its dynamic intensity and potent melody. Kraus's strong voice masterfully portray the characters' emotions, giving the spectator an engrossing experience. Similar to this, Kraus's excellent performance of "Die Prinzessin auf der Erbse (The Princess and the Pea), Op. 43: Prelude" demonstrates his capacity to arouse a variety of emotions.

"Die Vogel / Act 1: Torotix!" and "Die Vogel / Act 1: Graden Weges meinst du, wo die Baume stehn?" are two other songs by Michael Kraus that are noteworthy. These songs emphasize Kraus' superb vocal control and his talent for giving his performances depth and complexity. Kraus shows his versatility as a musician with songs like "Die Vogel / Act 1: Zu grossen Taten, wie noch seit Weltbestehn" and "Die Vogel / Act 1: Tu auf den Wald, ich will hinaus," deftly flitting between various emotions and musical genres.

Michael Kraus's success in the classical and opera music scenes is due to his extraordinary musicianship, enthralling performances, and his capacity to engage audiences deeply. He has become a highly sought-after musician in his area thanks to the way he has interpreted these timeless melodies, which continue to touch audiences all around the world.

Austrian classical and opera singer-songwriter Michael Kraus has recently put out a number of noteworthy recordings. "Waxman/Zeisl: The Song of Terezin/Requiem Ebraico (1998)" is one of his most recent albums. With his interpretations of the music of Waxman and Zeisl on this album, Kraus demonstrates his extraordinary talent and artistry. Each piece on this album is given a depth of emotion by Kraus' rich and expressive voice, providing for an engrossing listening experience.

"Ullmann: Der Kaiser von Atlantis; Holderlin-Lieder (1994)" is another notable album by Kraus. On this album, Kraus investigates Ullmann's works, giving strong performances that perfectly encapsulate the music. This record is an absolute must-listen for fans of classical and opera music because of his ability to portray the complexity of Ullmann's works in such a masterful manner.

In addition, "Goldschmidt: Der Gewaltige Hahnrei (1994)" by Kraus merits consideration. This record demonstrates his artistic range as he expertly and deftly performs Goldschmidt's compositions. Listeners are left with a strong impression of these songs thanks to Kraus's entrancing vocal range and emotive performance.

Michael Kraus keeps showcasing his extraordinary talent and love for classical and opera music on his most recent recordings. His interpretations of the works of numerous composers serve as a testament to his range and capacity to arouse strong feelings in the audience. These recordings are a testament to his talent and craftsmanship for Kraus fans and lovers of Classical and Opera music.

Austrian classical and opera musician Michael Kraus has worked with a number of well-known performers over the course of his career. The song "Die Vogel / Act 2: Halt, halt!" with Wolfgang Holzmair, Matthias Goerne, and the Deutsches Symphonie-Orchester Berlin is one of his most significant compositional partnerships. Kraus's ability to collaborate with renowned vocalists and orchestras is demonstrated by this project, which produces an intense and engrossing performance.

The song "Die Prinzessin auf der Erbse (The Princess and the Pea), Op. 43: Prelude" by Kraus with Gotthold Schwarz, Daniel Kirch, and Michelle Breedt is another noteworthy joint effort. As he skillfully combines his abilities with those of the other musicians, this cooperation demonstrates Kraus's breadth of musical experience. The outcome is a well-balanced and charming performance of the song.

While all of the above-mentioned partnerships are remarkable, it's also critical to acknowledge the range of Kraus's output. He collaborated on pieces like "Die Vogel / Act 1: Graden Weges meinst du, where die Baume stehn?" and "Die Vogel / Act 1: Wer ist denn da? with the Deutsches Symphonie-Orchester Berlin and conductor Lothar Zagrosek. He is able to collaborate with renowned orchestras and conductors to provide a unified and exciting musical experience, as evidenced by the song "Ruft hier jemand nach meinem Herrn?"

Michael Kraus's success as a classical and opera pianist has largely been attributed to his collaborations with numerous performers. He has been able to show off his talent and adaptability through these collaborations, as well as his capacity to get along with various musicians. His musical repertoire has surely been broadened by these partnerships, which have also enhanced his reputation in the classical and opera music scenes.