Lévon Minassian

French artist Lévon Minassian, who specializes in classical and chamber music, has a few well-known songs. With its eerie duduk tune and Middle Eastern influence, "Bab' Aziz" stands out as a special song. Another favorite is "Hovern' engan," which has a sad yet lovely tune. The peppy song "Tchinares" has vivacious percussion and a relentless tempo.

Some of Minassian's other well-known songs are "Ar intch lav er," "Siretzi Yares Daran (They Have Taken the One I Love)," "Im ayrogh veuchtitz," "Araksi artassouken," "Oror," "Hol Ara Yeze (Call of the Earth)," and "Echremet." Each of these compositions demonstrates Minassian's proficiency with the duduk and his capacity to meld many musical genres and traditions.

Overall, the emotional richness and beauty of Lévon Minassian's music are well known. His works frequently incorporate Middle Eastern, European, and classical music themes and are influenced by his Armenian roots. Whether you enjoy classical chamber music or traditional folk music, Minassian's work is sure to enthrall and inspire you.

Lévon Minassian, a French musician renowned for his proficiency with the duduk, has put out a number of recordings showcasing his distinctive musical taste. "Songs From a World Apart" and "The Doudouk - Beyond Borders" are two of his most recent albums.

The music of Minassian's album "Songs From a World Apart" combines elements of global music, jazz, and traditional Armenian music. The album includes songs like "The Long Road," which highlights Minassian's empathetic and melancholic playing, and "The Dance of the Angels," which borrows from Middle Eastern music.

The pianist from Armenia, Tigran Hamasyan, and other artists from all around the world collaborated on the album "The Doudouk - Beyond Borders" with Minassian. The album includes songs like "Nostalgia," which showcases Minassian's duduk playing with a string quartet, and "Ara Dinkjian's Prayer," which combines Armenian traditional music with jazz and classical influences.

Lévon Minassian's music, taken as a whole, is a monument to the strength of intercultural cooperation and the enduring beauty of traditional music. His proficiency on the duduk has brought him widespread acclaim and a devoted audience, and his most recent recordings continue to highlight his distinctive fusion of influences and genres.

On various songs, including "Bab' Aziz," "Oror," "Echremet," "Sari artchig," and "The Dead Seas," Lévon Minassian and Armand Amar worked together. "Bab' Aziz," which features Minassian's duduk playing and Amar's orchestration, is one of the noteworthy collaborations. The end result is a hauntingly beautiful artwork that highlights both artists' best work. The song is a standout from the soundtrack to the film with the same name because of its cinematic quality.

"Oror" is another notable joint effort. Minassian plays the duduk on this piece, which is a lullaby, and Amar plays the piano. The two instruments work together to create a calming and peaceful ambiance, which is ideal for the lullaby's intended use. The song is a part of the collection "Armenia: Lullabies & Dances," which includes traditional Armenian music that Amar has adapted and that is performed by a range of musicians.

Overall, Lévon Minassian and Armand Amar's collaborations highlight the beauty of fusing traditional Armenian music with modern orchestration. The songs serve as a testament to the value of teamwork and the power of musicians coming together to make beautiful music. Fans of classical and chamber music must listen to the end result since it has a distinctive tone that is both lovely and eerie.