Keith Harrison

Keith Harrison’s music offers a variety of R&B and soul tracks that resonate deeply with listeners. "Anyway" captures attention with its evocative rhythm, while "No Way" stands out with its distinct mix. "Just the Way You Are" and "Cross My Bones" further showcase his ability to tap into heartfelt emotions through melody and lyrics.

Tracks like "Virus" and "It's Just so Great to Be Alive (Reprise)" provide a unique musical experience, reflecting diverse themes and sounds. "Stand For" and "Thank Me Now" emphasize a more introspective side, encouraging reflection among listeners.

A rich tapestry of sound is woven in "Overture," and "A Thousand More Words" concludes with a poignant touch. Each track offers something unique, yet they all share a common thread of soulful expression that defines Harrison's musical journey.

Keith Harrison's work in R&B and Soul music includes the album "Emojiland the Musical (Original Cast Recording)" from 2020. This project explores a world where emojis come to life, offering an engaging blend of storytelling and musical expression. The tracks weave narratives that speak to modern digital interactions while maintaining a soulful undertone.

Before this, Harrison released "Nayee Subah Reenie" in 2007. This album offers a unique blend of sounds, showcasing a variety of influences and themes. His approach to music often incorporates a diverse palette, reflecting a wide range of experiences and emotions.

In 2010, Harrison released a single where he performs Bruno Mars' "Just the Way You Are." His rendition brings a fresh perspective to the popular track, highlighting his vocal range and interpretative skills. Through his music, Harrison continues to engage audiences with his thoughtful and resonant performances.

Keith Harrison's collaborations span a range of artists, showcasing his versatility. In "No Way," Todd Terry and David Anthony bring a unique blend of beats and rhythms that complement Harrison's style. The track is a rhythmic journey that captivates with its layered sounds.

Collaborating with Natalie Weiss and Max Crumm, tracks like "The Progress Bar" and "Virus" explore different musical landscapes. Their voices intertwine, creating a rich auditory tapestry. In "Stand For," the trio crafts a piece that resonates with emotional depth, highlighting each artist's strengths.

"It's Just so Great to Be Alive (Reprise)" features not only Weiss and Crumm but also Ann Harada. This collaboration brings a sense of unity, weaving together distinct vocal styles. Each artist contributes to a vibrant and harmonious composition, making it a notable piece in Harrison's collaborative repertoire. These tracks reflect Harrison's ability to merge his talents with others, creating memorable musical experiences.