Ensemble Resonanz

A prominent group of classical and chamber musicians is called Ensemble Resonanz, and it is from Hamburg, Germany. Their most well-known compositions include "Symphony No. 40 in G Minor, K. 550: I. Molto allegro," "Mercy Seat - Winterreise: Sweetheart Come (Arr. Tobias Schwencke)," and "Piano Concerto 'No. 6' in D Major, Op. 61a: II. Larghetto."

The group is also known for its performances of the "Lyrische Suite: I. Allegretto giovale," "Cello Concerto in A Major, Wq.172: II. Largo maestoso," "Symphony No. 39 in E-Flat Major, K. 543: I. Adagio. Allegro," and "Symphony No. 40 in G Minor, K. 550: VI. Allegro assai." Fan reviews of the group's performances of "Tenebre," "Symphony No. 39 in E-Flat Major, K. 543: II. Andante con moto," and "Cello Concerto in A Major, Wq.172: I. Allegro" are also quite positive.

The adept and passionate performances of Ensemble Resonanz have gained them a devoted audience in the Classical and Chamber Music fields. They distinguish out as an ensemble because of their talent at reinterpreting classical works while maintaining their integrity.

With their most recent albums, the chamber music group Ensemble Resonanz from Hamburg, Germany, has been creating waves in the classical music world. "Beethoven: Piano Concertos Nos. 4, Op. 58 & 6, Op. 61a (2021)," their most recent record, displays their remarkable musicianship and interpretation of Beethoven's compositions. Two of Beethoven's most well-known piano concertos are included on the record, and Ensemble Resonanz's rendition of them perfectly conveys the intensity and complexity of the music.

Ensemble Resonanz has published their CD as well as a new song titled "Pergolesi: Stabat Mater, P. 77 (2021)." Together, the ensemble and mezzo-soprano Karina Gauvin give a stirring performance of Pergolesi's masterwork on the single, which showcases their cooperation. This song is proof that Ensemble Resonanz can collaborate with other musicians to make excellent music.

Previous recordings by Ensemble Resonanz, including "Enno Poppe: Filz (2021)" and "Bryce Dessner: Tenebre (2019)," also highlight the group's adaptability and readiness to work with contemporary composers. They have gained a devoted fan base and high praise from critics for their commitment to pushing the boundaries of classical music and discovering new sounds.

Overall, Ensemble Resonanz's most recent recordings show off their superb musicianship and dedication to extending the classical music canon. They are a distinctive and fascinating group to observe because of their capacity for working with different artists and pushing the limits of the genre.

Hamburg, Germany-born Ensemble Resonanz has performed on the stages of some of the most prominent venues and festivals worldwide. Their performances at the Ultraschall Berlin, Dusseldorf Festival, and Budapest Spring Festival were eagerly anticipated and well-received by both the public and the press.

Ensemble Resonanz enthralled the audience with their performances of contemporary composers' works at the Budapest Spring Festival. It was noted that their performance was "mesmerizing" and "a true showcase of their technical prowess and musical sensitivity." The trio received a standing ovation for their interpretation of Brahms' String Sextet No. 2 during their performance at the Dusseldorf Festival, which was equally outstanding.

With appearances at the prestigious Laeiszhalle Hamburg, Ensemble Resonanz has also gained recognition in their native Hamburg. Another high point of their career was their sold-out concert series at the St. Egidien Nuremberg, which demonstrated their talent for engaging audiences in small settings.

Overall, audiences have praised Ensemble Resonanz's concerts for their flawless skill, musical sensitivity, and audience engagement. As one of the most interesting and dynamic chamber music ensembles of our day, their reputation has been cemented by their appearances at prestigious festivals and venues.

Over the years, Ensemble Resonanz has collaborated with a variety of skilled players to create some genuinely outstanding classical and chamber music. One of their most renowned collaborations is on "Symphony No. 40 in G Minor, K. 550: I. Molto allegro" by Wolfgang Amadeus Mozart and Riccardo Minasi. One of Mozart's most well-known and well-known compositions, the inclusion of Minasi and Ensemble Resonanz gives the already iconic work extra depth and richness.

Nick Cave and Carlos Bica's "Mercy Seat - Winterreise: Sweetheart Come (Arr. Tobias Schwencke)" is another fantastic Ensemble Resonanz collaboration. The addition of Ensemble Resonanz's chamber music approach to this haunting and lovely song greatly enhances Cave's distinctive voice and Bica's acoustic guitar playing. Additionally notable, Tobias Schwencke's arrangement significantly contributes to the mood and ambiance of the song.

Although Ensemble Resonanz has worked on numerous excellent projects together over the years, these two stand out as some of their most significant and influential ones. They demonstrate how the group can collaborate with a variety of various musicians and musical genres and yet create genuinely lovely and memorable music.