Inger Dam-Jensen

The acclaimed Danish classical and opera singer Inger Dam-Jensen has mesmerized audiences with her extraordinary talent and artistry. She is best known for her compositions "La Romanesca," "Peer Gynt, Op. 23: XII. Au matin (Prelude a l'acte lV)," and "Wiegenlied, Op. 41, No. 1." These songs highlight her range and her masterful use of vocal performance to evoke powerful emotions.

"La Romanesca," one of her well-known songs, captivates listeners with its eerie melody and beautiful execution. In this song, Inger Dam-Jensen's voice smoothly rises, conveying a sense of melancholy and longing. Through its fascinating orchestration and Inger Dam-Jensen's magnificent performance, "Peer Gynt, Op. 23: XII. Au matin (Prelude a l'acte lV)," another outstanding track, transports listeners to a tranquil morning countryside.

Along with these noteworthy songs, Inger Dam-Jensen has enthralled audiences with her performances of "Peer Gynt, Op. 23: XVII. Chanson de Solveig" and "6 Orchestral Songs, EG 177: No. 2, Solveig's Cradle Song." These songs come to life thanks to her gentle yet strong vocals, which leave an effect on everyone who hears them.

It is simply amazing how Inger Dam-Jensen can bring classical and operatic music to life. She exhibits extraordinary talent and artistry in her renditions of these classic works, such as "La Romanesca," "Peer Gynt, Op. 23: XII. Au matin (Prelude a l'acte lV)," and others, such as "Peer Gynt." She never ceases to captivate audiences throughout the world with her mesmerizing performances.

Famous Danish classical and opera singer Inger Dam-Jensen has recently put out a number of outstanding recordings. One of her most recent albums, "Thorvaldsen and The Music - Rome - Copenhagen 2007", features her outstanding singing prowess. The CD masterfully blends classical compositions and Inger Dam-Jensen's expressive interpretations, with tracks influenced by the sculptures of Danish artist Bertel Thorvaldsen.

"Norgard: Lygtemaendene Tager Til Byen / Sorensen: Den Lille Havfrue (2006)" is a noteworthy album by Inger Dam-Jensen. Tracks like "Lygtemaendene Tager Til Byen" and "Den Lille Havfrue" show off her range and command of the genre. This album offers a compelling blend of modern Danish opera music. These songs come to life because to Inger Dam-Jensen's stunning vocal performances, which captivate listeners with their expressive and subtle interpretations.

Inger Dam-Jensen demonstrates her extraordinary aptitude for interpreting the works of renowned Norwegian composer Edvard Grieg in one of her earlier recordings, "Grieg: Peer Gynt (2005)." The CD contains songs that were influenced by the well-known play "Peer Gynt," such as the mesmerizing "Morning Mood" and the charming "In the Hall of the Mountain King." The vocal prowess and emotional range of Inger Dam-Jensen are evident in every performance, making this album a must-have for fans of classical music.

With her affecting performances, Inger Dam-Jensen continues to enthrall audiences. Her most recent albums, such as "Grieg: Peer Gynt (2005)," "Norgard: Lygtemaendene Tager Til Byen/Sorensen: Den Lille Havfrue (2006)," and "Thorvaldsen and The Music - Rome - Copenhagen (2007)," demonstrate her vocal range, versatility, and capacity to bring to life operatic and classical works. Inger Dam-Jensen creates an enduring impact with each song, establishing her as a remarkable artist in the classical and opera music genres.

Danish classical and opera singer Inger Dam-Jensen has worked with a number of eminent musicians during the course of her career. One of her notable collaborations is on the song "Peer Gynt, Op. 23: XII. Au matin (Prelude a l'acte lV)" with the Orchestre de la Suisse Romande, Guillaume Tourniaire, and Dietrich Henschel. Inger Dam-Jensen's enchanting vocals and the symphonic brilliance of the group, conductor, and colleague performer are seamlessly combined in this cooperation.

The song "Wiegenlied, Op. 41, No. 1" by Richard Strauss and Malcolm Martineau is another famous collaboration. Dam-Jensen's emotive performance of Strauss' piece in this collaboration is exquisitely complemented by Martineau's sympathetic piano accompaniment. This charming lullaby receives a stunning performance thanks to the collaboration of the two musicians.

The collaboration with the Malmo Symphony Orchestra and Bjarte Engeset on the tune "6 Orchestral Songs, EG 177: No. 2, Solveig's Cradle Song" stands out among the others, all of which are praiseworthy. The Malmo Symphony Orchestra, conducted by Engeset, and Dam-Jensen's expressive performance of Solveig's Cradle Song combine to provide a powerful sense of longing and love.

These duets serve as a showcase for Inger Dam-Jensen's deft blending of her vocal prowess with those of other performers. Dam-Jensen's partnerships bring out the beauty and depth of classical and opera music, whether it is the orchestral grandeur of the Orchestre de la Suisse Romande, the artistry of Malcolm Martineau, or the symphonic quality of the Malmo Symphony Orchestra.