Aurelia Shimkus

Audiences have been enthralled by Latvian classical and symphonic violinist Aurelia Shimkus' deft performances of a variety of pieces. "10 Chorale Preludes, BV B 27: Ich ruf' zu dir, Herr Jesu Christ, BWV 639 (arr. F. Busoni for piano)," "Fantasia and Fugue on the Theme B-A-C-H, S529/R22," "Capriccio sopra la lontananza del fratello dilettissmo in B-Flat Major, BWV 992,"

The subtle melodies and harmonies of each piece are brought out in these songs, showcasing Shimkus' proficiency at the piano. She excels at expressing emotion through her playing, as demonstrated in "10 Chorale Preludes, BV B 27: Ich ruf' zu dir, Herr Jesu Christ, BWV 639 (arr. F. Busoni for piano)". Shimkus' technical mastery is on display in "Fantasia and Fugue on the Theme B-A-C-H, S529/R22," with its challenging passages and intricate structure.

Shimkus' ability to bring out the many moods and textures of "Capriccio sopra la lontananza del fratello dilettissmo in B-Flat Major, BWV 992" and "Toccata and Fugue in D Minor, BWV 565 (arr. F. Busoni for piano)" are demonstrated. Finally, Shimkus' extraordinary attention to detail is on full display in "Die Kunst der Fuge, BWV 1080: Fuga a 3 Soggetti (Contrapunctus XIV)" as she maneuvers the challenging contrapuntal lines of the fugue.

These songs have helped Aurelia Shimkus become a well-liked personality in the classical and orchestral music world, along with many others in her discography. She has a devoted following of music lovers who value her original interpretations thanks to her ability, competence, and commitment to her trade. Shimkus' popularity is certain to endure and increase as she continues to experiment with and perform a wide variety of pieces.

The Latvian classical and orchestral pianist Aurelia Shimkus has just published two outstanding recordings. Her two most recent albums, "Scherzo" in 2013 and "B-A-C-H: Ich ruf zu Dir," were both released in 2016. These albums highlight the extraordinary talent and devotion to classical music of Aurelia Shimkus.

In "B-A-C-H: Ich ruf zu Dir," Aurelia Shimkus honors the famous composer Johann Sebastian Bach. The album includes a selection of pieces that have been carefully chosen to showcase Shimkus' technical mastery and musical sensitivity. Her comprehensive knowledge of classical music and her ability to emote via her performances are evident in every song on the album. Shimkus captivates listeners with her talent, which ranges from delicate and reflective melodies to strong and dominating compositions.

2013 saw the publication of "Scherzo," another excellent album by Aurelia Shimkus. Her ability to play a variety of musical genres and moods is demonstrated in this CD. Shimkus seamlessly transitions from joyful and upbeat pieces to more reflective and introspective works, taking the listener on a trip through various musical landscapes with each track. Each piece is expertly interpreted by her, ensuring that the listener is totally engrossed in the music.

The most recent recordings by Aurelia Shimkus show evidence of her devotion to and love of orchestral and classical music. She never ceases to enthrall audiences and make an impression thanks to her extraordinary talent and subtle performances. With pieces like "B-A-C-H: Ich ruf zu Dir" and "Scherzo," Aurelia Shimkus demonstrates her prowess as a superb musician in the field of classical music.

The Latvian classical and orchestral musician Aurelia Shimkus has worked with well-known performers in the field. One of these prominent collaborations is with Franz Liszt on the composition "Fantasia and Fugue on the Theme B-A-C-H, S529/R22." Shimkus' extraordinary piano abilities are on display in this collaboration as she brings Liszt's composition to life. The piece's complex harmonies and technical requirements highlight the creative collaboration between Shimkus and Liszt.

In her discography, Aurelia Shimkus has also worked with Johann Sebastian Bach on the composition "Capriccio sopra la lontananza del fratello dilettissmo in B-Flat Major, BWV 992." Shimkus exhibits her command of Bach's intricate musical language in this piece. Her performance and interpretation of the piece demonstrate a thorough knowledge of Bach's creative technique, capturing the core of his brilliance.

Shimkus and Bach also worked together on "Die Kunst der Fuge, BWV 1080: Fuga a 3 Soggetti (Contrapunctus XIV)." This composition demonstrates Shimkus' musicianship and skill to maneuver complex counterpoint and polyphonic textures. Her involvement in this work with Bach demonstrates her dedication to maintaining and interpreting classical music.

These partnerships reveal Aurelia Shimkus' commitment to the symphonic and classical music genres. Her collaboration with Franz Liszt and Johann Sebastian Bach exemplifies her outstanding talent and capacity to breathe new life into their pieces through her performance. Collaborations with other musicians are evidence of Shimkus' talent and value to the classical music community.