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Thomas Hampson at Alte Oper Frankfurt
Thomas Hampson, BaritonAlte Oper FrankfurtDEU, FrankfurtThomas Hampson at Pierre Boulez Saal
Thomas HampsonPierre Boulez SaalDEU, BerlinThomas Hampson at Alte Oper Frankfurt
Thomas Hampson, BaritonAlte Oper FrankfurtDEU, FrankfurtVerbier Festival festival
Sheku Kanneh-Mason, Wynton Marsalis, SEONG-JIN CHO, Bacao Rhythm & Steel Band, Renée Fleming, Augustin Hadelich, Evgeny Kissin, Mao Fujita, Sergei Babayan, Steven Isserlis, Lucas Debargue, Quatuor Ébène, Thomas Hampson, Benjamin Bernheim, Lise Davidsen, Alexandra Dovgan, Antoine Tamestit, Nicolas Altstaedt, Veronique Gens, Ayanna Witter-Johnson, Kirill Gerstein, Marc Bouchkov, Amihai Grosz, James Gaffigan, Augustin Dumay, Gabriel Prokofiev, Lawrence Power, Richard Goode, Nola Kin, Frans Helmerson, Kristóf Baráti, Mihaela Martin, I GiardiniCHE, Val de BagnesSchleswig-Holstein Musik Festival festival
Simply Red, Bodo Wartke, London Philharmonic Orchestra, Philharmonia Orchestra, Daniel Hope, Academy of St. Martin in the Fields, Sheku Kanneh-Mason, Voces8, Hilary Hahn, Martha Argerich, Mine, Isata Kanneh-Mason, Miloš Karadaglić, The King's Singers, Jan Lisiecki, Anne-Sophie Mutter, Nils Landgren, NDR Elbphilharmonie Orchestra, Janine Jansen, The English Concert, Canadian Brass, The Ukulele Orchestra of Great Britain, Mischa Maisky, Chineke!, Camille Thomas, Balkan Paradise Orchestra, Max Mutzke, Fünf Sterne deluxe, Paavo Järvi, Sol Gabetta, Avi Avital, Sam Lee, Eva sur Seine, Jess Gillam, Aleksey Igudesman, NDR Radiophilharmonie, Zürcher Kammerorchester, Lúnasa, Ton Koopman, Ivo Pogorelich, Sabine Meyer, Steven Isserlis, Albrecht Mayer, Thomas Hampson, Sebastian Knauer, Ian Bostridge, The Swingles, Alte Bekannte, Alan Gilbert, Deutsche Kammerphilharmonie Bremen, Grigory Sokolov, Magdalena Hoffmann, London Community Gospel Choir, Rebekka Bakken, Thomas Dunford, Christoph Eschenbach, Kammerorchester Basel, Kit Armstrong, Wayne Marshall, Michael Sanderling, Sean Shibe, Jacques Ammon, Paul McCreesh, Richard Egarr, Christian Tetzlaff, London Afrobeat Collective, David Bergmüller, Christoph Prégardien, Jan Plewka, Mutter’s Virtuosi, Gabrieli Consort & Players, LONDON CONTEMPORARY VOICES, Marialy Pacheco, Trio Manouche, Edward Gardner, Soumik Datta, Benjamin Appl, Belcea Quartet, Chen Reiss, James Gilchrist, Matthias Rácz, Carolyn Sampson, Simon Halsey, Adrien La Marca, amarcord, Signum Saxophone Quartet, The Mozartists, Lily Maisky, Paul Daniel, Vivi Vassileva, Lisa Knapp, Julius Drake, Barokksolistene, Simon Crawford-Phillips, Santtu-Matias Rouvali, Rob Heron & The Tea Pad Orchestra, Martin Grubinger, VIVID CONSORT, Bjarte Eike, Stewart Goodyear, Maurice Steger, Omer Meir Wellber, Jean-Paul Gasparian, New Century Chamber Orchestra, Shahbaz Hussain, Alexey Botvinov, Takeover Ensemble, István Várdai, Katona Twins, Hilary Summers, Salaputia Brass, Andrew Staples, Karim Sulayman, Leonkoro Quartet, Wild Strings Trio, Marco Schmedtje, NDR Vokalensemble, Billow Wood, Sylvia Thereza, Louie’s Cage Percussion, Five Sax, Ensemble Reflektor, TRIO GASPARD, Simos Papanas, Martin Muehle, Christina Landshamer, Florian Boesch, London Klezmer Quartet, Alexandra Lowe, Hepta Polka, Explore Ensemble, Diana Tishchenko, Marsyas Baroque, Alex Paxton, Sasha Cooke, Connie Shih, Lucas Campara Diniz, Juri Tetzlaff, Stathis Karapanos, Hugo Ticciati, Holly Hyun Choe, Gaurav Mazumdar, Steven Devine, Ruth Reinhardt, Oxalys, Matthew Long, Ian Page, Nicolas Fink, Kellen Gray, Ava Bahari, Anna Dennis, Maximilian Maisky, Benjamin Hulett, Kristiina Rokashevich, Mhairi Lawson, Markellos Chryssicos, Timothy Henty, Hideyo Harada, Emanuele Forni, Ron Maxim Huang, Sascha Maisky, François Benda, Malachy Frame, The Symphonic Brass of London, RAKA, Liisa Randalu, Angelika Bachmann, Nicola Mosca, Horst Maria Merz, Charlotte ShawDEU, Lübeck
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Overview of Opera musician Thomas Hampson
American baritone Thomas Hampson, a well-known performer in the classical and opera music worlds, comes from Spokane. Over the course of a more than three-decade career, Hampson has mesmerized listeners with his deep, sonorous voice and commanding stage presence.
His extensive catalog includes compositions from the Baroque period through modern music. German lieder are a type of art song, and Hampson is well recognized for his version of them. He has created several albums just for this genre. He has collaborated with eminent conductors and directors all over the world, and he is also renowned for his operatic performances.
Hampson has a strong comprehension of the material he sings, which improves his musicianship. His performances are filled with a tremendous emotional depth, and he is an expert in poetry and literature. Hampson's emotive interpretation and strong voice provide spectators a memorable musical experience.
What are the most popular songs for Opera musician Thomas Hampson?
American classical and opera singer Thomas Hampson, who hails from Spokane, has a sizable collection of hit songs in his repertoire. The songs "Votre toast, je peux vous le rendre...Toreador, en garde!" from Bizet's Carmen, "The Twelve Days of Christmas" as orchestrated by Jonathan Tunick, and "Treu sein das liegt mir nicht" from Eine Nacht in Venedig are among his best.
Beethoven's Symphony No. 9 in D Minor, Op. 125 "Choral": IV. (b) "O Freunde, nicht diese Tone!" is another well-liked song. (Ode to Joy), a well-known song that highlights Hampson's vocal range and strength. His most well-known melodies include "La traviata / Act II: "Pura siccome un angelo"" and "Rossini: Il barbiere di Siviglia, Act 1: "La ran la le ra... Largo al factotum della citta" (Figaro)".
"Carmen, Act II: No.14 bis" and other compositions by Hampson have established him a well-liked presence in the classical and opera music scenes. Repertoire includes "La belle un mot; comment t'appelle-t-on? (Escamillo/Carmen/Zuniga)", "La traviata / Act II: "Un di, quando le veneri"", "La traviata / Act II: "Non sapete quale affetto"", and "Di Provenza il mar, il suol - Violetta".
In general, Thomas Hampson's success stems from his superb vocal skills and his capacity to engage audiences throughout performances. His best songs serve as evidence of both his talent and the enduring allure of classical and opera music.
What are the latest songs and music albums for Opera musician Thomas Hampson?
The well-known American baritone Thomas Hampson has recently put out a number of albums and singles. Hampson's aptitude for interpreting Franz Liszt's works is on full display in his most recent recording, "Liszt: Orchestral Songs (2023)". Liszt's "Der Erlkonig, S. 375/4 (2023)" and "Liszt: Go Not, Happy Day, S. 335/2 (2023)" are two of the tracks on the CD. For those who enjoy classical and opera music, this album is a must-listen.
In addition to his most recent album, Hampson has also made a number of singles available. Both "Richard Danielpour: War Songs: No. 3, Reconciliation (Live) (2016)" and "For Lenny, Episode 9: A Simple Song (2018)" pay lovely homage to Leonard Bernstein, while Hampson also displays his range and ability in "Richard Danielpour: War Songs: No. 3, Reconciliation (Live) (2016)." Hampson's dedication to making beautiful and meaningful music is evident in these singles.
"Songs from Chicago (2018)" is a noteworthy album by Hampson that includes a selection of songs by American songwriters that were influenced by the city of Chicago. This album, which includes songs like "Chicago" by Fred Fisher and "Nightmare Town" by Marc Blitzstein, is a lovely homage to the city and its illustrious musical past.
Overall, Thomas Hampson is a gifted musician who keeps on producing lovely and significant music. Fans of classical and opera music will be delighted by his most recent album and songs, which are evidence of his talent and artistry.
Which are the most important music performances and festival appearances for Opera musician Thomas Hampson?
American classical and opera singer-songwriter Thomas Hampson has performed on some of the most esteemed stages and festivals all over the world. Among other venues, Hampson has performed at the Schleswig-Holstein Musik Festival, Bemus, and the Istanbul Muzik Festival. His performances have been nothing short of extraordinary, winning him praise from the critics and fans alike.
The Bayerische Staatsoper, Muziekgebouw aan 't IJ, Konzerthaus Dortmund, Cankarjev dom, and Lensic Performing Arts Center are just a few of the prestigious locations where Hampson has played. He has consistently dazzled audiences with his amazing vocal range and emotional depth during his appearances at various places.
Hampson gave one of his most illustrious performances at the Salzburg Festival in Mozart's "Le nozze di Figaro." His depiction of the Count Almaviva received recognition for its flawless workmanship and nuanced emotions. His version of Mahler's "Das Lied von der Erde" with the Berlin Philharmonic is another noteworthy performance. Hampson's performance of the piece was praised for its subtlety and intensity.
In conclusion, Thomas Hampson has established himself as one of the best classical and opera artists of our day as a result of his appearances at several festivals and locations throughout the globe. Both crowds and critics have praised and adored him for his extraordinary vocal range, emotional depth, and craftsmanship.
Which are the most important collaborations with other musicians for Opera musician Thomas Hampson?
The American operatic baritone Thomas Hampson has collaborated on several projects during his career with a wide range of musicians. He worked with Michel Plasson on "Bizet: Carmen, Act II: No. 14 Couplets: Votre toast, je peux vous le rendre," among other projects.Toreador, en garde! (Escamillo/Carmen/Frasquita/Mercedes/Morales/Zuniga/Amis d'Escamillo)," Kiri Te Kanawa and Roberto Alagna for "Traditional: The Twelve Days of Christmas (Arr. Jonathan Tunick)," and Giuseppe Verdi and Anna Netrebko for "La traviata / Act II: 'Pura siccome un angelo.'"
One of Hampson's significant partnerships is for "Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. (b) "O Freunde, nicht diese Tone!" (Ode to Joy)" with the Wiener Philharmoniker, Sir Simon Rattle, and Barbara Bonney. This version of one of Beethoven's most well-known pieces is remarkable. The orchestra, choir, and baritone voice of Hampson combine to form a stunning harmony that is both resonant and moving.
It is also important to note the partnership between Gioachino Rossini and Gianluigi Gelmetti for "Rossini: Il barbiere di Siviglia, Act 1: 'La ran la le ra... Largo al factotum della citta' (Figaro)." Hampson's baritone voice, which is superb in this performance, effectively captures the humor and vigor of Figaro. His voice harmonizes with the orchestra and evokes the energy of the opera through a dynamic mood.
Thomas Hampson has worked with some of the best musicians and conductors in the business overall. His performances are evidence of his talent, and he has collaborated on some of the most iconic pieces of opera and classical music.