Robert Quinney

Robert Quinney, a classical and chamber music performer from Oxford, England, has a number of well-known songs that have won the hearts of many music lovers. With its calming tone and timeless tune, "Jesu, Joy Of Man's Desiring" is one of his most well-known songs. "Sicut cervus" is another well-liked song that highlights Quinney's extraordinary organ playing. With their lovely harmonies and heartfelt lyrics, Rutter's "What Sweeter Music" and "In the Bleak Midwinter" are also well-liked among his listeners.

The songs "The Angel Gabriel From Heaven Came" and "Hymn - Guide Me, O Thou Great Redeemer (Cwm Rhondda)" are examples of how Quinney's music transcends genre and style. These songs highlight his musical flexibility and his capacity to make beautiful music that cuts across boundaries. With their upbeat beats and captivating rhythms, "Masters in This Hall" and "The Anthem - This Is The Day Which The Lord Hath Made" are especially worth highlighting.

Overall, the songs by Robert Quinney are a testament to his superb musicianship and his capacity to write music that connects with listeners from many backgrounds. Anyone who enjoys classical and chamber music should listen to his songs, and his musical talent is simply astounding.

Famous British composer of chamber music and classical music is Robert Quinney. In his most recent album, "New College: Commissions & Premieres (2023)," Quinney, who serves as the college's organist, presents a selection of pieces that were commissioned by and given their world premieres at New College in Oxford. The record highlights both Quinney's extraordinary organ playing abilities and the exquisiteness of the organ as a musical instrument. For fans of classical and chamber music, the CD, which includes songs like "Kyrie" and "Gloria," is a must-listen.

Quinney's most recent song, "Faire Is the Heaven (2023)," is a masterwork that showcases his extraordinary choir conducting abilities. The harmony of the choir and the organ's melody are expertly merged in this track to provide a stunning and sublime sound. Another standout track from the album is "Fantasia super 'Komm, Heiliger Geist', BWV 651 (2017)," which showcases Quinney's outstanding organ playing. The song is a fantastic illustration of Quinney's knowledge of classical music.

Charles Hubert Parry's choral compositions are featured on Quinney's album "Parry: Songs of Farewell & Other Choral Works," which was released in 2018. The album is a monument to Quinney's love of choral music and his extraordinary conducting abilities. With songs like "Never weather-beaten sail" and "There is an old belief," Quinney highlights the beauty of Parry's creations while also giving them his own special touch.

The music of Robert Quinney is a stunning illustration of the elegance and complexity of classical and chamber music. For fans of this genre, his most recent album, "New College: Commissions & Premieres (2023)," and song, "Faire Is the Heaven (2023)," are essential listening. His earlier compositions, such "Parry: Songs of Farewell & Other Choral Works," are also fantastic examples of his abilities as a musician and conductor.

Oxford, UK-born classical and chamber pianist Robert Quinney has given a number of outstanding performances at different locations and festivals. In 2010, he gave a solo organ recital at the Royal Festival Hall in London, which was one of his most notable performances. The concert received great praise for its expert handling of pieces by Bach, Buxtehude, and Howells.

Quinney has also given performances at other illustrious locations, like St. John's Smith Square and the Oxford Sheldonian Theatre. He gave a performance in St. John's Smith Square with the New College Oxford Choir, of which he is the Director of Music, in a program that included compositions by Byrd, Tallis, and Taverner. He led the Orchestra of the Age of Enlightenment in a performance of Handel's work in the Sheldonian Theatre, showcasing his abilities as both an organist and conductor.

Quinney has performed at several places in addition to festivals and other public events. He played with the Choir of New College Oxford at the Cheltenham Music Festival in 2019 in a program that included pieces by Britten and Tippett, which was one of his significant festival appearances. Additionally, he has performed at the York Early Music Festival, the Oxford Lieder Festival, and the Three Choirs Festival.

Robert Quinney's performances generally highlight his remarkable skill and versatility as an organist and conductor. One of the top classical and chamber players in the UK, his reputation has been cemented by his performances at major venues and festivals.

Oxford, UK-based classical and chamber pianist Robert Quinney has worked with several artists on various tracks. Among them are John Rutter, Stephen Cleobury, Nicholas Daniel, Giovanni Pierluigi da Palestrina, and the Choir of King's College.

One of Quinney's major collaborations is on the song "Herz und Mund und Tat und Leben, Cantata BWV 147: Jesu, Joy Of Man's Desiring" with Bach, Choir of King's College, and Nicholas Daniel. The Choir of King's College's vocals and Bach's composition have been beautifully combined in this cooperation. Quinney's playing on the piano on this tune is amazing, and it lends a new dimension to the beauty of the song as a whole.

The Angel Gabriel From Heaven Came (arr. E. Pettman for choir), Sicut Cervus, and 6 Motets, Op. 79: No. 5, Im Advent, MWV B54 were among the other works on which Quinney collaborated with the Choir of New College Oxford. He worked with the choir to produce a lovely piece that showed his ability to accept various musical genres.

To sum up, Robert Quinney's extraordinary partnerships with Johann Sebastian Bach, the Choir of King's College, Nicholas Daniel, Giovanni Pierluigi da Palestrina, John Rutter, and Stephen Cleobury have enhanced the beauty of classical and chamber music. His performances on these songs serve as a tribute to both his prodigious piano talent and his capacity to compose original music.