Preston Reed

Preston Reed, a jazz and smooth jazz musician from Ayr, Scotland, has created several well-known songs throughout the course of his career. He is well known for the songs "Ladies Night," "Cradle Song for A (Interstate B3)," "In Louisville at 7," "A Song for H / Far Away," "Tractor Pull," "Night Ride," "Funkin' At the Junction," "Hijacker," "Slap Funk," and "Blasting Cap."

One of these songs, "Cradle Song For A (Interstate B3)," is a peaceful and easygoing number that highlights Reed's superb guitar playing. Before moving into a more intricate melody, the song begins with a soft strumming pattern. It's an easy track to unwind to thanks to the detailed and calming guitar work.

A more cheerful and lively song is "Funkin' At the Junction," another well-liked classic. The song's infectious guitar riffs and funky bassline are likely to get listeners up and dancing. In this song, Reed demonstrates his talent to the fullest as he expertly combines distinct jazz and funk components.

Overall, any jazz or soft jazz listener will enjoy Preston Reed's discography. Reed's guitar prowess is evident in all of his well-known songs, whether they are soothing or energetic.

Preston Reed, a Jazz and Smooth Jazz performer from Ayr, Scotland, published "What You Don't See" as his most recent CD in 2019. This album includes a number of songs that highlight Reed's distinctive fingerstyle guitar playing style, which has brought him critical acclaim and a devoted following over the years. The album consists of both original songs and covers, each with a distinctive sound and vibe. Reed's skill of the guitar is evident in his nuanced and passionate playing.

In addition to "What You Don't See," Reed has also put out a number of additional albums during the course of his career. The 2013 album "In Here Out There," which combines original songs and covers, demonstrates Reed's aptitude for fusing several musical styles into a unified sound. In 2006, Reed's CD "Spirit," which is a collection of songs, was released. It perfectly encapsulates Reed's own style and tone. While maintaining true to his roots and influences, Reed pushes the frontiers of Jazz and Smooth Jazz music with each new album.

Overall, Preston Reed's most recent CD "What You Don't See" is a testament to his prowess as a musician and his capacity for originality within the Jazz and Smooth Jazz genres. The album's mixture of original songs and covers demonstrates Reed's versatility and his dedication to writing music that is both approachable and challenging. This album will appeal to many Jazz and Smooth Jazz fans, but it will also expose new listeners to the distinctive sound and manner of one of the UK's most gifted performers.

Preston Reed has showcased his jazz and smooth jazz musical abilities at a number of prestigious locations across the world. He once gave a performance at Jammin Java, where his music energized the crowd. His musical prowess was also on display at the Kulturzentrum Franz.K in Germany, where he gave an outstanding performance that resulted in a standing ovation. His music had the crowd at Pitcher in Germany swaying to the beat, generating an environment of complete happiness.

In his hometown of Ayr, at the Harbour Arts Centre, he gave one of his most enduring performances and dazzled the audience with his fingerstyle guitar playing skills. Additionally, he had a performance at the famed jazz venue Quasimodo Berlin in Germany, where he played some of his well-known songs, such as "Night Ride" and "Slap Funk."

Preston Reed has also performed at events all over the world, such as the Capital Jazz Fest in Maryland, the United States. He performed at the festival next to other jazz legends like Marcus Miller and George Benson. He also gave a performance at the Jazz a Juan festival in France, where he played in front of a receptive crowd.

In conclusion, Preston Reed has had an impact on audiences and fans alike at some of the greatest music festivals and venues in the globe thanks to his music. He has established himself as one of the greats of the jazz and smooth jazz music scenes thanks to his thrilling performances and distinctive approach.

Jazz & Smooth Jazz musician Preston Reed has worked with numerous musicians over the years. However, "Cradle Song For A (Interstate B3)" with Max Richter, "In Louisville At 7" also with Max Richter, and "A Song For H / Far Away" with Max Richter, Louisa Fuller, Natalia Bonner, and John Metcalfe stand out as the three collaborations that do so the most.

The gorgeous piece "Cradle Song For A (Interstate B3)" showcases Max Richter's distinctive approach of fusing classical and electronic music. Preston Reed's exquisite guitar work wonderfully complements the song's eerie tune to produce a distinctive and compelling listening experience.

Preston Reed's superb guitar playing is on full display in another Max Richter duet, "In Louisville At 7". The song is faster paced than "Cradle Song For A (Interstate B3)" and includes Richter's delicate piano melodies in the background while Reed's guitar playing is in the foreground.

The remarkable joint effort "A Song For H / Far Away" by Max Richter, Louisa Fuller, Natalia Bonner, John Metcalfe, and Preston Reed completes the list. The song blends Reed's exquisite guitar work with melancholy melodies by Richter and gorgeous harmonies from the strings. The end result is a track that brilliantly displays the abilities of all the musicians involved.

Overall, Preston Reed's associations with Max Richter and other musicians are evidence of his superb musicianship and his capacity to meld the guitar with other musical genres and styles. Any jazz or soft jazz aficionado must listen to these collaborations.