Louis Philippson

Louis Philippson has a diverse catalog that showcases his skill in classical and crossover music. One of his notable tracks is “Symphony of a Thousand Piano Variation (After Symphony No. 8, Arr. for Piano by Tim Allhoff),” which highlights intricate piano arrangements. “Jasmine” brings a softer touch, inviting listeners into a melodic landscape that feels both familiar and fresh.

Other standout pieces include “Prelude Piano Variation (From Cello Suite No. 1, BWV 1007, Arr. for Piano by Tim Allhoff)” and “O mio babbino caro (From Gianni Schicchi, SC 88, Arr. for Piano and Cello by E. M. Fard),” both of which reflect a blend of classical roots and contemporary flair. Tracks like “In Trutina (From Carmina Burana, Arr. for Piano and Cello by Tim Allhoff)” and “Demon Slayer: Nezuko Theme” show his versatility across genres.

Additional pieces, such as “OMG,” “Paulette,” and “Memories of the Moldau (After 'Vltava', JB 1:112/2; T.111),” round out his impressive repertoire, appealing to a wide audience.

Louis Philippson has recently released two albums, "My Way" and "Exposition," both set to debut in 2025. These works reflect his ongoing exploration of classical and classical crossover music, showcasing his distinctive arrangements and interpretations.

The latest single, "Reflections," also scheduled for 2025, promises to add depth to his repertoire. Additionally, he has arranged several notable classical pieces for piano and orchestra. "Mozart Piano Concerto Variation (After Piano Concerto No. 27 in B-Flat Major, K. 595, II. Larghetto)" offers a fresh take on Mozart's work, while "Beethoven Virus (After Piano Sonata No. 8, Op. 13: III. Rondo. Allegro)" presents an engaging interpretation of Beethoven's classic. Another noteworthy arrangement is "Vivaldi Storm (After The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 'Summer': III. Presto)," which brings a new energy to Vivaldi's composition. These releases highlight Philippson's commitment to blending traditional and contemporary elements in his music.

Louis Philippson's collaborations showcase a blend of classical and contemporary influences. One notable piece is “Jasmine,” where he worked with Julian Lloyd Webber and Esther Abrami. This track combines cello and piano, creating a harmonious dialogue between the instruments. The collaboration highlights the unique styles of both Lloyd Webber and Abrami, enriching the composition.

Another significant work is “O mio babbino caro,” arranged for piano and cello by E. M. Fard. This piece, originally by Giacomo Puccini, benefits from the fresh interpretation, allowing Philippson and his collaborators to explore the emotional depth of the music while adding their distinct touch.

Philippson also engages with timeless classics, as seen in “Prelude Piano Variation” after Johann Sebastian Bach's Cello Suite No. 1. The arrangement by Tim Allhoff offers a new perspective on Bach's work, demonstrating Philippson's ability to reimagine classical pieces for modern audiences. These collaborations reflect a commitment to both tradition and innovation.