John Beasley

Jazz musician from Los Angeles, John Beasley has created a number of well-known songs over the years. His most popular songs are "Brake's Sake", "Spam-Boo-Limbo", "Caddo Bayou", "I Mean You", "Light Blue", "'Round Midnight", "Surfacing", "Epistrophy", "Song for Dub", and "Cherokee - Koko".

The song "Brake's Sake" showcases Beasley's prowess at the piano. It begins with a gentle melody and eventually intensifies into a more challenging and energetic song. Another standout track that showcases Beasley's piano skills is "I Mean You." It is a fast-paced song that highlights his keyboard skill.

Jazz and funk are combined in "Spam-Boo-Limbo"; it has a powerful bassline and a captivating melody. The slower, more laid-back song "Caddo Bayou" has a nice sax solo. Beasley adds his unique style to the traditional jazz standard "Round Midnight" with his piano performance. The frantic and upbeat song "Epistrophy" has a jovial trumpet solo.

In general, jazz, funk, and fusion are all combined in John Beasley's music. His songs serve as examples of his exceptional piano prowess and capacity for developing intricate and enduring melodies.

Los Angeles-based jazz and jazz fusion guitarist John Beasley has been having success with his most recent albums. He released the albums "Holidaze" and "Saudade, Color of Love" live in 2022. Holiday favorites like "I'll Be Home For Christmas" and "Dance of the Sugar Plum Fairy" are included in "Holidaze" with Beasley's distinctive jazzy twist. 'Saudade, Colour of Love,' a live album that was captured during a performance in France, is a showcase for Beasley's improvisational prowess.

In 2022, Beasley also released a number of singles in addition to the albums. His jazzy arrangement of the traditional Christmas song "Away In A Manger" is stunning. The jazz fusion version of Amalia Rodrigues' original song by Beasley that can be heard on "Com Que Voz" is a radio edit. Beasley keeps pushing the frontiers of jazz and jazz fusion with his most recent recordings, producing distinctive music that is enjoyed by both jazz enthusiasts and casual listeners.

Overall, John Beasley's most recent works offer evidence of his skill and originality as a musician. Beasley continues to innovate and push the boundaries of the genre with his distinctive Jazz interpretations of traditional holiday songs and fusions of other musical traditions. Beasley's work is unquestionably worth a listen, whether you've always enjoyed jazz or are only now becoming acquainted with it.

Los Angeles-based jazz and jazz fusion artist John Beasley has played at events and festivals all over the world. He has consistently been at prestigious festivals like the Detroit Jazz Festival in Michigan and the Java Jazz Festival in Indonesia. He now has a stage to display his distinctive style and interact with viewers from around the globe thanks to these festivals.

The Hollywood Bowl in California, the Bijou Theatre in Tennessee, the Bimhuis in Amsterdam, the Muziekgebouw aan 't IJ in the Netherlands, and the De Doelen Rotterdam in the Netherlands are just a few of the prestigious places Beasley has performed in. These venues have given him the opportunity to perform for a variety of audiences and work with various artists, broadening his range of musical experiences.

In 2019, he gave one of his most illustrious performances at the Hollywood Bowl, joining the famous Quincy Jones and other musicians to pay respect to Michael Jackson. Along with other well-known performers including David Sanborn and Marcus Miller, Beasley also gave a performance at the 2018 Java Jazz Festival. He not only received critical accolades for these performances, but they also helped him expand his following base.

In conclusion, John Beasley has cemented his reputation as one of the most gifted jazz and jazz fusion performers of our day through his appearances at prestigious festivals and venues all over the world. His capacity for working with other musicians and engaging with listeners from many cultures has enabled him to develop a distinctive style and broaden his musical horizons.

Los Angeles-based jazz and jazz fusion guitarist John Beasley has worked with many different musicians over the years. The songs "Brake's Sake" with Dontae Winslow, "Spam-Boo-Limbo" with Lee Ritenour, Tal Wilkenfeld, and Vinnie Colaiuta, and "Caddo Bayou" with Bennie Maupin, Jeff "Tain" Watts, and Brian Lynch are a few of his most prominent collaborations.

With Robert Hurst and Vinnie Colaiuta, "Surfacing" is one of Beasley's most notable projects. Saxophone and piano solos steadily increase in intensity as the tune builds, while Colaiuta's drumming gives it a dynamic quality. The track opens with a groovy bassline. The musicians' synergy is clear as they skillfully meld their distinctive musical styles to produce a unified whole.

Robert Hurst and Vinnie Colaiuta's "Song for Dub" is another noteworthy collaboration. This song demonstrates the musicians' ability to use their instruments to express emotion in a slower, more reflective manner. Hurst's bass playing offers a strong foundation, and Colaiuta's drumming gives the song a subtle urgency. Everything comes together beautifully and introspectively because to Beasley's piano playing.

In conclusion, John Beasley has created some wonderful musical compositions through collaboration with some of the most outstanding artists in the jazz and jazz fusion genres. When these artists collaborate to make something genuinely exceptional, songs like "Surfacing" and "Song for Dub" are only two examples of the amazing chemistry that results.