James Blood Ulmer
James Blood Ulmer

James Blood Ulmer

USAJazz, Avant-garde Jazz
3,969 monthly listeners
  • 8.1K followers
  • 1K fans

James Blood Ulmer's Top Spotify Songs

1
Artist Name
OPENING
543 streams
2
Artist Name
House people
166 streams
3
Artist Name
Are You Glad To Be In America?
147 streams
4
Artist Name
Timeless
97 streams
5
Artist Name
Church
76 streams
543
Streams last week
166
Streams last week
147
Streams last week
97
Streams last week
76
Streams last week
64
Streams last week
63
Streams last week
56
Streams last week
52
Streams last week
16
Streams last week

James Blood Ulmer's Top Spotify Playlists in the past 3 Months

1
Artist Name
Classic Jazz Funk
by Spotify
2
Artist Name
Burning Jazz-rock Fusion
by Spotify
3
Artist Name
The Sound of Free Jazz
by Spotify
4
Artist Name
nova tunes 1
by Spotify
41.2K
Followers
9.6K
Followers
7.6K
Followers
5.9K
Followers

Events3 Events

Mar-Apr
30-02
Big Ears Festival
United States
USA
, KnoxvilleN/A N/A
Past
Apr-May
29-01
Long Play Festival
United States
USA
, BrooklynN/A N/A
Past
Jul
03
11. Subart festival: James Blood Ulmer at Layerjeva hiša
Slovenia
SVN
, Kranj0 - 500 Bar
Past

James Blood Ulmer's Past Events3 Events

  • Big Ears Festival festival

    Iron & Wine, Sierra Ferrell, Ichiko Aoba, Los Lobos, Andrew Bird, Amadou & Mariam, Grouper, Devendra Banhart, David Byrne, Son Lux, The Mountain Goats, Allison Russell, Lucius, Oneohtrix Point Never, Kevin Morby, Ibeyi, Julian Lage, Nate Smith, Sona Jobarteh, Tank and the Bangas, Rickie Lee Jones, Danielle Ponder, Calexico, Arooj Aftab, Sierra Hull, Cécile McLorin Salvant, Béla Fleck, Steve Reich, Christian McBride, Dave Lombardo, Bill Frisell, Billy Woods, Pino Palladino, Margaret Glaspy, Makaya McCraven, Bonny Light Horseman, Charles Lloyd, Moor Mother, Brandee Younger, Caterina Barbieri, Blake Mills, The Bad Plus, Joe Lovano, The Weather Station, Marc Ribot, Adia Victoria, Kali Malone, Antonio Sánchez, Liturgy, Algiers, Edgar Meyer, Vijay Iyer, John Zorn, Ben Sollee, Jake Xerxes Fussell, Steve Gunn, Sam Gendel, Sam Wilkes, Meridian Brothers, My Brightest Diamond, Lee Ranaldo, King Britt, Sun Ra Arkestra, Michael Cleveland, Bing & Ruth, Vinicius Cantuaria, KATE NV, Irreversible Entanglements, Dave Eggar, Adeem the Artist, Caroline Shaw, Lonnie Holley, Combo Chimbita, Bassekou Kouyate, Bryan Sutton, Bill Laswell, John Medeski, Terry Allen, Etran de L'Aïr, Josephine Foster, Theon Cross, Mary Halvorson, James Brandon Lewis, Jeff Coffin, Leo Genovese, LARRY & JOE, PETER ONE, Tyshawn Sorey, Yura Lee, Rachel Grimes, caroline, Macie Stewart, Tarta Relena, Xylouris White, Rafiq Bhatia, Carl Stone, SUSS, Éliane Radigue, Shahzad Ismaily, Jorge Roeder, Charlotte Adigéry & Bolis Pupul, Justin Moses, David Murray, JACK Quartet, Tessa Lark, Trevor Dunn, William Parker, Phill Niblock, Sarah Kirkland Snider, Simon Joyner, Wadada Leo Smith, 700 Bliss, James Blood Ulmer, Ches Smith, Luke Schneider, David Virelles, Reggie Workman, Mourning [A] BLKstar, Maeve Gilchrist, Mark Schatz, Ava Mendoza, FUJI|||||||||||TA, Chris Corsano, ZOH AMBA, Nate Wooley, Rich ruth, Yarn/Wire, Abe Rounds, Annea Lockwood, Andrew Cyrille, Joe Rainey, SHANE PARISH, The Panhandle Mystery Band, Viktor Krauss, Angélica Negrón, Parker Quartet, Evan Ziporyn, Morton Subotnick, Gyan Riley, Aurora Nealand, Mivos Quartet, Aizuri Quartet, Knoxville Symphony Orchestra, Reid Anderson, Wendy Eisenberg, Diatom Deli, Big Kitty, BB WISELY, Ned Rothenberg, SIMON HANES, Shara Nova, PROTEINS OF MAGIC, Exploding Star Orchestra, Staples Jr. Singers, Kenny Wollesen, KENMUJO, KIRSTEN SOLLEK, Sarah Brailey, Brian Marsella, Gregory Tardy, Catherine Lamb, Justin Adams & Mauro Durante, FRUIT LOOOPS, SAE HASHIMOTO, Jordan Perlson, DOROTHY CARLOS, Michael Nicolas, Anthony Coleman, MATT ESPY, TARBABY, ELIZA BAGG, DAVID WATSON, Lesley Flanigan, Jorge Variego, Matt Nelson, Aaron Edgcomb, RACHEL CALLOWAY, Jack Roben, ROBERT LUNDBERG, Rob Linton, Brainweight, VARISPEED COLLECTIVE, MEGAMOON X, TIM GICK
    USA, Knoxville
    Big
  • Long Play Festival festival

    Flying Lotus, Brian Eno, Philip Glass, Louis Cole, Arvo Pärt, Kaki King, Zoë Keating, Dave Holland, Vijay Iyer, Bryce Dessner, Sun Ra Arkestra, Terry Riley, Andy Akiho, Jason Moran, Caroline Shaw, Linda May Han Oh, Matmos, Choir Of Trinity Wall Street, Timo Andres, Attacca Quartet, Michael Riesman, Nona Hendryx, Bang On A Can All-Stars, Tyshawn Sorey, Gary Lucas, Infinity Shred, David Lang, Anthony Braxton, Nathalie Joachim, Innov Gnawa, Éliane Radigue, KHYAM ALLAMI, Kris Davis, Jenny Lin, ~Nois, JG Thirlwell, Balún, John Luther Adams, James Blood Ulmer, Olga Bell, David Virelles, Sandbox Percussion, Reggie Workman, Henry Threadgill, Ethel, Nicole Mitchell, Julia Wolfe, Russell E.L. Butler, Michael Gordon, Via App, Brooklyn Youth Chorus, Amirtha Kidambi, Paola Prestini, Christopher Cerrone, Speaker Music, Nate Wooley, Jamaaladeen Tacuma, Andrew Cyrille, Pamela Z, Tristan Perich, Ted Hearne, Cienfuegos, Fay Victor, Leila Adu, Ashley Bathgate, Joan La Barbara, Awadagin Pratt, Cole Davis, Robert Black, Michael Daugherty, TAK Ensemble, Shara Nova, Shelley Washington, Robert Honstein, Nick Dunston, Brandon Lopez, Wallace Roney Jr., Matthew Welch, Jeff Tobias, Banda de los Muertos, Mantra Percussion, Tania León, Jacob Cooper, Gemma Peacocke, Tonia Ko, inti figgis-vizueta, Gity Razaz, Alicia Hall Moran, Andrew Norman, Michael Pisaro, Maya Stone, Titus Underwood, Craig Harris, Ekmeles, Molly Herron, Brendon Randall-Myers, Phong Tran, Dither Quartet, Kendall K. Williams, adam cuthbért, Soo Yeon Lyuh (여수연), Karl Larson, Maria Kaoutzani, Aeryn Santillan, Lee Odom, eddy kwon, Conrad Harris, Denardo Coleman, Southern Oregon University Percussion, Iva Casian-Lakos, Carman Moore, James Moore, Marcus Rojas, David Sanford, Left Edge Percussion
    USA, Brooklyn
    Small
  • 11. Subart festival: James Blood Ulmer at Layerjeva hiša

    James Blood Ulmer
    Layerjeva hiša
    SVN, Kranj
    Bar0 - 500

More about James Blood Ulmer

Overview of Avant-garde Jazz musician James Blood Ulmer

American musician James Blood Ulmer has established himself in the jazz community, particularly in the Avant-garde Jazz style. Ulmer has made a name for himself in the jazz world with his particular style and emotive playing.

Innovative and experimental are two qualities that define Ulmer's music. By integrating elements of blues, funk, and rock into his classic jazz compositions, he pushes the boundaries of the genre and creates a dynamic and alluring sound. His emotional and genuine guitar playing stirs up a wide spectrum of feelings in his audience.

Ulmer, who is renowned for his exceptional improvisation abilities, gives unusual, surprising performances. He bravely ventures into uncharted sonic realms and questions accepted concepts of jazz composition and organization. His skill at smoothly fusing many genres and styles results in a truly exceptional listening experience.

Ulmer has had a lengthy career and is still a well-known figure in the avant-garde jazz community. He has developed a reputation as a forerunner and an innovator thanks to his contributions to the genre. Ulmer's music has a profound impact on everyone who has the privilege of listening to it, whether he performs with a band or alone.

What are the most popular songs for Avant-garde Jazz musician James Blood Ulmer?

A renowned jazz and avant-garde jazz musician from the United States named James Blood Ulmer has an incredible catalog of well-known songs that have mesmerized audiences. Some of his most well-known songs are "Proof," "Cheering," "Are You Glad To Be In America?," "Odyssey," "Fat Mama," "No Man's Land," "Timeless," "House People," "O Gentle One," and "Church."

"Proof" is a showcase for Ulmer's distinctive guitar playing, fusing jazz and blues elements into a captivating song. With its vivid melodies and contagious beat, the song "Cheering" radiates excitement and vigor. The social and political topics explored in "Are You Glad To Be In America?" are indicative of Ulmer's challenging musical style.

Other noteworthy songs in Ulmer's discography include the reflective and soulful "Odyssey," the groovy and funky "Fat Mama," and the melancholic "No Man's Land." While "House People" and "Church" take listeners on immersive musical journeys, "Timeless" demonstrates Ulmer's ability to craft enthralling melodies that endure the test of time.

James Blood Ulmer's compositions are evidence of his brilliance and originality in the jazz and avant-garde jazz genres. His music appeals to a broad audience because of its distinctive fusion of genres and thought-provoking melodies. Ulmer's work, which ranges from upbeat and lively songs to soulful and reflective melodies, continues to enthrall listeners and establish his status in the jazz world.

What are the latest songs and music albums for Avant-garde Jazz musician James Blood Ulmer?

American jazz and avant-garde jazz guitarist James Blood Ulmer is well-known for captivating listeners with his distinctive sound and performance style. James Blood Ulmer and the Memphis Blood Blues Band's 2018 CD, "Sesc Jazz: James Blood Ulmer & Memphis Blood Blues Band," demonstrates his extraordinary talent and the synthesis of blues and jazz influences. The album contains a number of mesmerizing songs that get right to the very core of the music.

'Baby Talk (2017)' is a standout tune from Ulmer's career. With his sophisticated guitar playing and lyrical melodies, Ulmer is able to create a fascinating ambiance on this track. It is evidence of his proficiency in his field and his capacity to advance jazz music.

Ulmer has released albums including "In and Out" (2009) and "Back In Time" (2005) in addition to his most recent efforts. These recordings further demonstrate his development as an artist and his dedication to expanding the parameters of jazz music. Ulmer's music is evidence of his commitment to his profession and of his capacity to write songs that have a strong emotional impact on listeners.

James Blood Ulmer is still a major force in jazz music thanks to his distinctive sound and avant-garde attitude. His most recent album and single are proof of his continued musical development and his capacity to enthrall listeners with his distinct sound. Ulmer has made some truly amazing contributions to jazz and avant-garde jazz, and his work will continue to inspire and have an impact on generations to come.

Which are the most important music performances and festival appearances for Avant-garde Jazz musician James Blood Ulmer?

American jazz and avant-garde jazz musician James Blood Ulmer has performed on many stages and festivals over the course of his career. His performances have mesmerized audiences with his distinctive fusion of experimental, jazz, and blues sounds.

Ulmer made a significant festival appearance at the Big Ears Festival, where he displayed his guitar prowess and improvisational talents. The festival, which is renowned for its diverse lineup, offered Ulmer the ideal setting to push boundaries and hypnotize the audience with his avant-garde jazz compositions.

At the Long Play Festival, Ulmer put on another outstanding performance where his soulful guitar playing took center stage. Because of the venue's small size, there was a stronger connection between the performer and the audience, making the performance extremely special.

Ulmer has performed in prestigious venues such as Layerjeva hisa in addition to these outstanding appearances. He has a well-deserved reputation as an innovator in the music industry thanks to his ability to fluidly meld genres and push the boundaries of jazz.

At numerous festivals and places over the course of his career, James Blood Ulmer has constantly produced outstanding performances that push the envelope. Aspired artists all over the world continue to be inspired by and influenced by his contributions to jazz and avant-garde jazz music.

Which are the most important collaborations with other musicians for Avant-garde Jazz musician James Blood Ulmer?

American avant-garde jazz musician James Blood Ulmer has worked with a number of other artists over his career. A prominent example of a collaboration is the song "Proof" by the group The Thing. The band's free jazz improvisation is combined with elements of blues and jazz in this collaboration to highlight Ulmer's distinctive guitar playing. The end product is an intense and dynamic performance that challenges conventional jazz.

On the songs "Cheering," "House people," and "Huit couche," Rodolphe Burger and I also worked together in a significant way. Burger's experimental musical approach and Ulmer's avant-garde aesthetic complement each other nicely, resulting in a creative and engrossing synthesis of genres. Burger's broad musical tastes and Ulmer's distinctive guitar playing combine in these duets to create a rich and dynamic sound.

Ulmer and The Thing also worked with once more on the song "High Yellow." The band's forceful and energizing improvisation works in perfect harmony with Ulmer's raw and passionate guitar playing in this collaboration. A compelling listening experience is produced by fusing The Thing's audacious and fearless approach with Ulmer's distinctive musical voice.

Last but not least, James Blood Ulmer's associations with Rodolphe Burger and The Thing have had a huge impact on his career. These collaborations show Ulmer's talent for fusing his avant-garde jazz style with the various musical styles of his partners to create fresh and fascinating music. Ulmer's versatility and eagerness to push the frontiers of jazz music are demonstrated by these partnerships.