Zsuzsa Kollár

Zsuzsa Kollár has a repertoire that showcases the essence of classical and chamber music. One standout track is "Suite bergamasque, L. 75: III. Clair de lune," which many listeners find captivating. It captures a gentle, reflective mood that resonates deeply. Another notable piece is "2 Arabesques, L. 66: No. 1, Andantino con moto." This work presents a delicate interplay of melody and rhythm, drawing in the audience with its charm.

In addition to these, Kollár also performs "Rêverie, L. 68," "Miniature Viennese March (Transcr. for Viola & Piano)," and the "Flute Sonatina" in three movements: "I. Allegro moderato," "II. Adagio molto, un poco rubato," and "III. Allegro con brio." Other pieces like "Midnight Bells (After Heuberger's Der Opernball) [Transcr. for Viola & Piano]" and "Spanish Dance No. 5 in E Minor (After Granados' Danzas españolas) [Transcr. for Viola & Piano]" add further variety, showcasing her versatility and depth as a musician. Each track contributes to a rich listening experience.

Zsuzsa Kollár's latest album, "Viola Romance," released in 2020, features a collection of works that highlight the emotional range of the viola. The tracks explore various themes, blending lyrical melodies with intricate harmonies. This album showcases her ability to interpret both contemporary and classical pieces, providing listeners with a diverse auditory experience.

In addition to "Viola Romance," Kollár's past projects include "Debussy: Preludes - Danses for Harp," released in 2016, which delves into the impressionistic nuances of Debussy's compositions. Prior to that, the album "Koessler: Trio Suite / Piano Quintet in F Major / Moor: Cello Sonata No. 2, Op. 55," from 2014, presents chamber music that reflects the collaborative spirit of ensemble play. Each of these works contributes to her ongoing exploration of classical and chamber music, revealing her dedication to this genre.

Zsuzsa Kollár has collaborated with notable composers, particularly Claude Debussy and Fritz Kreisler. One significant piece is “Suite bergamasque, L. 75: III. Clair de lune,” where the interplay between viola and piano showcases the melodic depth Debussy is known for. This collaboration highlights the delicate nuances and emotional range present in Debussy's work.

Another key partnership is found in “Miniature Viennese March (Transcr. for Viola & Piano)” by Fritz Kreisler. This piece offers a lively contrast, blending the charm of Viennese music with the rich textures of the viola. Similarly, “Midnight Bells (After Heuberger's Der Opernball) [Transcr. for Viola & Piano]” also reflects Kollár's ability to bring new life to existing compositions through her interpretations. These collaborations underline her versatility and commitment to both classical and chamber music traditions.