Yttling Jazz

Yttling Jazz has made waves in the Pop and Indie Pop scenes with tracks that resonate with many listeners. One standout is “Illegal Hit,” which has seen multiple versions, including a popular edit and a remake by The Tallest Man on Earth. This track captures a unique vibe that many fans appreciate.

Another notable song is “Deadbeat Blues,” which also has a version featuring Matt Sweeney, presenting a different take on the original. Other tracks like “Mr. Sophistication At the Losers Club” and “Tokyo Hyatt” add depth to their catalog, showcasing varied influences and styles. “Yttling Jazz #1” and “Piano in the Background” round out their offerings, reflecting a blend of sounds that keeps listeners engaged. With a collection like this, it’s clear why they have attracted a dedicated following.

Yttling Jazz's latest album, "Oh Lord Why Can't I Keep My Big Mouth Shut (2005)," showcases their distinct blend of Pop and Indie Pop. The album features a mix of reflective themes and catchy melodies, staying true to their signature sound.

In 2025, they released several singles, including "Flox Gade," which presents a fresh take on their musical style. "Deadbeat Blues (Matt Sweeney´s Boogie)" and "Deadbeat Blues" both delve into themes of introspection, while "Illegal Hit (Edit)" offers a different rhythmic perspective. Each track contributes to their evolving discography, reflecting both their roots and new influences.

Yttling Jazz has made notable appearances at several prominent venues and festivals in Sweden. Their performance at the Way Out West Festival drew attention, showcasing their signature sound to a large audience. This festival is known for its eclectic lineup, and Yttling Jazz fit well within the mix of artists.

In addition to festivals, they have played at key venues such as Dalhalla in Rättvik, where the natural acoustics provided a unique experience. The intimate setting of Nefertiti Jazz Club allowed for a closer connection with fans, while their show at DR Koncerthuset Studie 2 highlighted their versatility. At Mejeriet in Lund, they engaged the crowd with a blend of pop and jazz influences, leaving a lasting impression.

These performances have helped solidify their presence in the Swedish music scene, contributing to their growing following. Each appearance adds to their reputation and showcases their ability to connect with diverse audiences.

Yttling Jazz has teamed up with a few notable artists, creating tracks that showcase their collaborative spirit. One of their significant collaborations is “Illegal Hit - Edit,” featuring Joshua Idehen and Saturday, Monday. This track combines elements from all three artists, resulting in a blend that highlights their unique styles and perspectives.

Another key collaboration is “Deadbeat Blues - Matt Sweeney’s Boogie,” where they work with Matt Sweeney. This track taps into a more laid-back vibe, with Sweeney’s influence evident throughout. Both collaborations reflect the versatility of Yttling Jazz and their ability to merge different musical influences while maintaining a cohesive sound.