Yazz Ahmed

The London-born Nu Jazz performer Yazz Ahmed has a distinctive sound that combines classic jazz with Arabic music. Her songs are a blend of hypnotic rhythms and melodies that make listening to them engrossing. She is best known for her songs "Carry Me," "Bloom," and "Organ Eternal." Yazz plays trumpet on the lovely and eerie single "Carry Me," which also has a captivating string arrangement. The lively song "Bloom" mixes Yazz's trumpet performance with electronic beats and synths.

Another outstanding song, "Chandler (feat. Yazz Ahmed)," showcases Yazz's trumpet playing over a groovy beat and bassline. The slower, more reflective track "Jamil Jamal" demonstrates Yazz's ability to evoke a feeling with her playing. The more avant-garde song "Inhale" combines Yazz's trumpet performance with electronic sounds and samples. The eerie song "They Have Lost Jesus" combines Yazz's trumpet performance with Arabic melody.

From Yazz's album of the same name, "La Saboteuse" is the lead single. Yazz's trumpet playing is incorporated into the song along with electronic sounds and Arabic melodies. The album's "Lahan al-Mansour" is another notable piece that combines Yazz's trumpet performance with Arabic music and a pulsating tempo. The more experimental song "Misophonia" combines Yazz's trumpet performance with electronic sounds and samples.

Overall, Yazz Ahmed's music is a singular fusion of Arabic and jazz that makes for an engrossing listening experience. She demonstrates her ability to evoke a feeling with her playing in her tracks, which are a combination of captivating rhythms and melodies. Yazz Ahmed is undoubtedly a musician to check out if you enjoy jazz or Arabic music.

With her most recent albums, British jazz and nu jazz performer Yazz Ahmed has been making waves in the business. Her most recent album, "Polyhymnia," which was released in 2019, pays tribute to women who have significantly impacted society and combines jazz and arabic music. The CD has gotten favorable reviews, with many noting how well the many musical genres were incorporated.

The intriguing song "It," by Yazz Ahmed, which was published in 2022, is a compelling example of how she can combine jazz and techno music. Positive reviews of the song have already been published, with many appreciating Yazz Ahmed's trumpet playing and the complex soundscapes. The single "Throw Your Pumpkin (& Pick Me Up)," another recent offering from Yazz Ahmed, offers a distinctive fusion of Middle Eastern, Jazz, and Hip-Hop music.

In 2020, Yazz Ahmed also made available a remixed version of her "Polyhymnia" album under the name "Polyhymnia Remixed." The CD includes remixes of songs from the original album made by different artists. Yazz Ahmed also worked with Surly to release a remix of her song "Deeds Not Words," titled "Deeds Not Words (Surly Remix)." With a fusion of jazz and techno music, the remix offers an exhilarating update on the original.

Overall, Yazz Ahmed's singular fusion of several musical genres continues to push the frontiers of jazz and nu jazz music. Her most recent works demonstrate both her musical range and her capacity to produce mesmerizing soundscapes.

The British jazz and nu jazz performer Yazz Ahmed has given a number of noteworthy performances at festivals and venues all around the world. She has performed at some of the most important festivals, such as the Love Supreme Jazz Festival in 2018, where she was the headlining act. The same year, she also gave a performance at the Womad Festival, where both the public and the reviewers praised her highly. Along with other festivals, Ahmed performed at the Pori Jazz Festival in Finland, the FMM Sines Festival in Portugal, and the Moldejazz Festival in Norway.

Ahmed has performed at some of the most renowned venues in the world, including the Barbican Center in London, where she appeared as a part of the EFG London Jazz Festival. Along with these locations, she also performed at XOYO, The Jazz Cafe, and TivoliVredenburg.

She had one of her most memorable performances with her band at the Barbican Center. Her distinctive approach and the audience's appreciation for her songs were demonstrated by the sold-out performance. She also gave a stand-up ovation-worthy performance at the Philharmonie de Paris, solidifying her position as a rising star in the jazz and nu jazz scenes.

Finally, Yazz Ahmed has made a name for herself as a gifted jazz and nu jazz performer with a broad fan base. Her concerts at numerous festivals and places have been both memorable and well-received, and audiences from all over the world have been enthralled by her distinctive style and sound.

The British jazz and nu jazz musician Yazz Ahmed has worked with other artists to create some of her most significant pieces. One of her best joint projects is "Carry Me" with British musician Obongjayar, who is of Nigerian descent. Ahmed's trumpet and Obongjayar's lyrical voice combine in this Afro-jazz fusion tune to produce a distinctive sound. The song has received appreciation for its distinctive instrumentation, which elevates Ahmed's contribution to a remarkable level.

"Chandler" by Ebi Soda and other artists is another noteworthy project. Ahmed's distinctive trumpet playing is heard throughout the song over the jazzy rhythm section of Ebi Soda. The song is a fantastic illustration of Ahmed's ability to masterfully combine many genres to produce a distinctive sound that is both traditional and modern. The cooperation has won praise from the critics for its complex arrangements and stirring performances.

Finally, other significant partnerships that have contributed to Ahmed's establishment in the jazz and nu jazz scenes are "They Have Lost Jesus" with Ash Walker, "The River" with Ishmael Ensemble, and "Ruby Bridges - DJ Plead Remix" with DJ Plead. Each song displays Ahmed's distinctive sound and her talent for collaborating with other musicians to produce absolutely exceptional music. Overall, Yazz Ahmed's partnerships have aided her development into one of the most avant-garde and captivating jazz musicians.