Vrillton

Vrillton has made a mark in the hip-hop scene with several tracks that resonate with fans. “Sloboda II.” stands out with its catchy rhythm and relatable lyrics. It's a track that many listeners connect with, showcasing a blend of personal storytelling and vibrant beats. Another notable song is “xenón,” which brings a unique sound that sets it apart from typical hip-hop offerings.

Alongside these, tracks like “Perinbaba Phonk,” “666,” and “ŽOFIA” contribute to Vrillton's diverse style. “Shawty Je Tak Fajn” adds a lighter vibe, inviting listeners to enjoy the moment. The freestyle tracks, including “Freestyle” and “400 Bitchez (Harry Styles) Freestyle,” highlight his improvisational skills. “Zdeněk Pohlreich” rounds out the collection, showcasing his ability to weave different themes into his music. Each song adds to the overall appeal, making Vrillton an artist to watch in contemporary hip-hop.

Vrillton's latest work includes the album "M.K.R. (2024)," which showcases a blend of contemporary hip hop elements. Tracks explore various themes, reflecting the artist's unique perspective. Another recent release is "R.I.P. CAPITAL STEEZ (2024)," paying homage to influences in the hip hop scene, while "SLZY MORPHEUSA (2023)" continues to build on his evolving sound.

In addition to the albums, Vrillton has dropped new singles. "Miznem Preč (2024)" stands out with its engaging rhythm and thoughtful lyrics. Anticipation builds for upcoming tracks like "Guest List (2025)" and "DeMar DeRozan (2025)," which are expected to further highlight his style. "boh platí dane (2025)" adds to the recent output, showcasing a diverse range of topics and musical approaches. Each release reinforces his presence in the contemporary hip hop landscape.

Vrillton has made notable appearances at various venues and festivals in Slovakia and beyond. One significant performance took place at Klub 77, a popular spot that has hosted many local artists. The energy in the room was palpable as crowds connected with Vrillton’s music, showcasing his ability to engage an audience.

In addition to Klub 77, the artist has participated in several festivals, contributing to the local hip hop scene. Events like Hip Hop Žije Festival and the Bratislava Music Festival have provided platforms for Vrillton to share his work. These festivals often feature a mix of styles, allowing him to stand out among diverse acts. The performances reflect his growth and connection to the Slovak music community.

While specific details about each performance may vary, the consistent presence at such venues and festivals highlights Vrillton’s commitment to his craft and his influence in contemporary hip hop.

Vrillton’s collaborations highlight a blend of styles and creativity. The track “Sloboda II.” features Adam the World, bringing together their unique sounds. This partnership showcases a dynamic interaction, merging their lyrical strengths.

Another notable collaboration is “xenón,” also with Adam the World. This track explores deeper themes, with both artists complementing each other’s flow and rhythm. The chemistry between them is evident, enhancing the overall listening experience.

In “JAAA,” Vrillton teams up with Luna 99 and Cyper Sound. This collaboration stands out due to the diverse influences each artist brings to the table. The interplay of their different styles creates an engaging track that appeals to a broad audience. Each artist contributes to a narrative that flows seamlessly, making it a memorable piece in Vrillton’s catalog.