Víctor Castillo Luna

One of the notable tracks is “Schwanengesang, D. 957: No 4, Ständchen,” arranged for arpeggione, guitar, and fortepiano. This piece captures a sense of longing and simplicity that resonates well with listeners. Another significant work is “Cello Concerto No. 2 in A Major, Op. 3: II. Adagio.” This arrangement for arpeggione and guitar highlights the beauty of the melodies, offering a reflective experience.

Additionally, “Faust: Polacca,” also arranged for arpeggione and guitar, brings a lively energy to the mix. These tracks showcase a blend of classical themes and modern arrangements, appealing to a range of musical tastes. The combination of instruments adds a unique texture, making the listening experience enjoyable for both seasoned fans and newcomers alike. Each piece stands out in its own right, contributing to a diverse repertoire that reflects Víctor Castillo Luna's artistic vision.

Víctor Castillo Luna recently released a new album titled "Arpeggione - A Forgotten Instrument (2024)." This collection explores the unique sound of the arpeggione, showcasing its versatility through various arrangements. The album features a mix of classical works reimagined for this lesser-known instrument.

Among the latest singles are "Spohr: Faust: Polacca (Arr. for Arpeggione and Guitar by Vincenz Schuster)" and "Schubert: Schwanengesang, D. 957: No 4, Ständchen (Arr. for Arpeggione, Guitar and Fortepiano by Martin Zeller)." Both tracks highlight the expressive potential of the arpeggione, blending it with guitar and fortepiano for a rich listening experience. Additionally, "Romberg: Cello Concerto No. 2 in A Major, Op. 3: II. Adagio (Arr. for Arpeggione and Guitar by Vincenz Schuster)" further emphasizes the instrument's capabilities. These releases contribute to a growing interest in the arpeggione and its place within classical and chamber music.

Víctor Castillo Luna has engaged in notable collaborations that highlight his versatility in chamber music. One significant piece is “Schwanengesang, D. 957: No 4, Ständchen,” arranged for arpeggione, guitar, and fortepiano by Martin Zeller. This work features contributions from Franz Schubert and Giorgio Paronuzzi, creating a blend of textures and sonorities that showcase the unique qualities of each instrument.

Another important collaboration is “Cello Concerto No. 2 in A Major, Op. 3: II. Adagio,” arranged for arpeggione and guitar by Vincenz Schuster. This piece involves Bernhard Romberg and Martin Zeller, providing a reflective and lyrical experience. Additionally, “Faust: Polacca,” also arranged by Vincenz Schuster for arpeggione and guitar, includes contributions from Louis Spohr and Martin Zeller, adding a lively contrast to the previous works. Each collaboration reflects a different aspect of chamber music, revealing the depth and range of Castillo Luna's artistic partnerships.