Uwe Christian Harrer

Uwe Christian Harrer has a catalog that resonates with classical and opera enthusiasts. Notable tracks include “O Tannenbaum,” a timeless piece that captures the spirit of the holidays, performed with a distinctive interpretation. Another highlight is “Silent Night, GWV 145: Stille Nacht (Silent Night),” which remains a favorite during festive seasons, showcasing Harrer's ability to convey emotion through simple melodies.

His work on Handel's “Messiah / Part 2: 42. Chorus: 'Hallelujah'” stands out for its powerful choral arrangement, stirring listeners with its grandeur. In the realm of mass compositions, “Mass No. 1 in D Major 'Emperor Mass': I. Kyrie” and “II. Gloria” showcase the depth of his musical understanding and commitment to tradition. These pieces reflect a blend of spirituality and artistry, engaging audiences in their timeless themes. Harrer’s selections resonate with both casual listeners and classical music fans alike.

Uwe Christian Harrer has been active with several notable releases. One of his latest albums is titled "Salieri: Mass No. 1 in D Major 'Emperor Mass'; Organ Concert in C Major, Dixit Dominus; Magnificat in C Major (1997)." This work showcases a selection of pieces, offering a glimpse into Salieri's contributions to classical and sacred music.

In addition to this, Harrer has also revisited earlier works, including "Sacred Songs (1995)" and "Caldara / Handel / Mozart / Schubert: Portrait - Missa Laetare / Messiah / Missa in C / German Mass etc. (1992)." Each album presents a blend of choral and instrumental compositions that highlight the diverse styles of these composers.

These recordings reflect Harrer's focus on classical repertoire, providing listeners with a range of liturgical pieces and operatic highlights. The albums are accessible to a wide audience, making them suitable for both classical music enthusiasts and casual listeners.

Uwe Christian Harrer collaborated with notable artists on several significant works. In "O Tannenbaum," he joined forces with the Vienna Boys' Choir, bringing a distinct interpretation to this classic piece. The blend of voices creates a warm, inviting atmosphere that resonates with listeners.

Another key collaboration is "Messiah / Part 2: 42. Chorus: 'Hallelujah'," where Harrer worked alongside George Frideric Handel, the Vienna Boys' Choir, Chorus Viennensis, and the Wiener Symphoniker. This performance showcases a powerful convergence of talent, delivering a moving rendition of one of Handel’s most celebrated choruses.

Additionally, Harrer’s work on "Mass No. 1 in D Major 'Emperor Mass': I. Kyrie" with Antonio Salieri highlights his ability to engage with traditional compositions while adding his unique touch. Each collaboration reflects a commitment to the art form, creating experiences that resonate with audiences.