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Thomas Hampson at Alte Oper Frankfurt
Thomas Hampson, BaritonAlte Oper FrankfurtDEU, FrankfurtThomas Hampson at Pierre Boulez Saal
Thomas HampsonPierre Boulez SaalDEU, BerlinThomas Hampson at Alte Oper Frankfurt
Thomas Hampson, BaritonAlte Oper FrankfurtDEU, FrankfurtVerbier Festival festival
Sheku Kanneh-Mason, Wynton Marsalis, SEONG-JIN CHO, Bacao Rhythm & Steel Band, Renée Fleming, Augustin Hadelich, Evgeny Kissin, Mao Fujita, Sergei Babayan, Steven Isserlis, Quatuor Ébène, Thomas Hampson, Lucas Debargue, Lise Davidsen, Benjamin Bernheim, Antoine Tamestit, Nicolas Altstaedt, Veronique Gens, Alexandra Dovgan, Kirill Gerstein, Ayanna Witter-Johnson, Marc Bouchkov, Amihai Grosz, Augustin Dumay, James Gaffigan, Lawrence Power, Gabriel Prokofiev, Richard Goode, Frans Helmerson, Nola Kin, Kristóf Baráti, Mihaela Martin, I GiardiniCHE, Val de BagnesSchleswig-Holstein Musik Festival festival
Simply Red, London Philharmonic Orchestra, Bodo Wartke, Daniel Hope, Philharmonia Orchestra, Sheku Kanneh-Mason, Academy of St. Martin in the Fields, Hilary Hahn, Voces8, Martha Argerich, Mine, Miloš Karadaglić, Isata Kanneh-Mason, The King's Singers, Jan Lisiecki, Anne-Sophie Mutter, Nils Landgren, Canadian Brass, The English Concert, Janine Jansen, Mischa Maisky, Chineke!, NDR Elbphilharmonie Orchestra, The Ukulele Orchestra of Great Britain, Sol Gabetta, Camille Thomas, Max Mutzke, Fünf Sterne deluxe, Paavo Järvi, Avi Avital, Aleksey Igudesman, Jess Gillam, Sam Lee, Eva sur Seine, Zürcher Kammerorchester, Ivo Pogorelich, NDR Radiophilharmonie, Lúnasa, Albrecht Mayer, Ton Koopman, Sabine Meyer, Steven Isserlis, Balkan Paradise Orchestra, Thomas Hampson, Sebastian Knauer, The Swingles, London Community Gospel Choir, Christoph Eschenbach, Deutsche Kammerphilharmonie Bremen, Alan Gilbert, Magdalena Hoffmann, Alte Bekannte, Grigory Sokolov, Wayne Marshall, Thomas Dunford, Kammerorchester Basel, Kit Armstrong, Rebekka Bakken, Ian Bostridge, Michael Sanderling, Sean Shibe, Jacques Ammon, Richard Egarr, Christian Tetzlaff, Paul McCreesh, London Afrobeat Collective, Jan Plewka, Christoph Prégardien, Gabrieli Consort & Players, Mutter’s Virtuosi, David Bergmüller, LONDON CONTEMPORARY VOICES, Marialy Pacheco, Trio Manouche, Soumik Datta, Edward Gardner, Chen Reiss, Benjamin Appl, Belcea Quartet, Adrien La Marca, Simon Halsey, Matthias Rácz, Carolyn Sampson, amarcord, Lily Maisky, Julius Drake, Paul Daniel, Lisa Knapp, Shahbaz Hussain, Signum Saxophone Quartet, Barokksolistene, Rob Heron & The Tea Pad Orchestra, James Gilchrist, Stewart Goodyear, Bjarte Eike, Martin Grubinger, Jean-Paul Gasparian, Maurice Steger, Omer Meir Wellber, VIVID CONSORT, New Century Chamber Orchestra, Vivi Vassileva, Simon Crawford-Phillips, Santtu-Matias Rouvali, Alexey Botvinov, István Várdai, Katona Twins, Takeover Ensemble, Karim Sulayman, Andrew Staples, Hilary Summers, Billow Wood, Wild Strings Trio, Marco Schmedtje, Leonkoro Quartet, Simos Papanas, Sylvia Thereza, Salaputia Brass, NDR Vokalensemble, The Mozartists, Five Sax, Louie’s Cage Percussion, Ensemble Reflektor, TRIO GASPARD, Florian Boesch, London Klezmer Quartet, Martin Muehle, Christina Landshamer, Explore Ensemble, Hepta Polka, Alex Paxton, Sasha Cooke, Connie Shih, Marsyas Baroque, Alexandra Lowe, Juri Tetzlaff, Diana Tishchenko, Lucas Campara Diniz, Ruth Reinhardt, Stathis Karapanos, Hugo Ticciati, Oxalys, Holly Hyun Choe, Gaurav Mazumdar, Steven Devine, Ian Page, Matthew Long, Nicolas Fink, Mhairi Lawson, Ron Maxim Huang, Kellen Gray, Anna Dennis, Benjamin Hulett, Kristiina Rokashevich, Timothy Henty, Markellos Chryssicos, Ava Bahari, Maximilian Maisky, Hideyo Harada, Emanuele Forni, Malachy Frame, François Benda, Sascha Maisky, Liisa Randalu, The Symphonic Brass of London, RAKA, Angelika Bachmann, Nicola Mosca, Horst Maria Merz, Charlotte ShawDEU, Lübeck
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Overview of Opera musician Thomas Hampson
American baritone Thomas Hampson, a well-known performer in the classical and opera music worlds, comes from Spokane. Over the course of a more than three-decade career, Hampson has mesmerized listeners with his deep, sonorous voice and commanding stage presence.
His extensive catalog includes compositions from the Baroque period through modern music. German lieder are a type of art song, and Hampson is well recognized for his version of them. He has created several albums just for this genre. He has collaborated with eminent conductors and directors all over the world, and he is also renowned for his operatic performances.
Hampson has a strong comprehension of the material he sings, which improves his musicianship. His performances are filled with a tremendous emotional depth, and he is an expert in poetry and literature. Hampson's emotive interpretation and strong voice provide spectators a memorable musical experience.
What are the most popular songs for Opera musician Thomas Hampson?
American classical and opera singer Thomas Hampson, who hails from Spokane, has a sizable collection of hit songs in his repertoire. The songs "Votre toast, je peux vous le rendre...Toreador, en garde!" from Bizet's Carmen, "The Twelve Days of Christmas" as orchestrated by Jonathan Tunick, and "Treu sein das liegt mir nicht" from Eine Nacht in Venedig are among his best.
Beethoven's Symphony No. 9 in D Minor, Op. 125 "Choral": IV. (b) "O Freunde, nicht diese Tone!" is another well-liked song. (Ode to Joy), a well-known song that highlights Hampson's vocal range and strength. His most well-known melodies include "La traviata / Act II: "Pura siccome un angelo"" and "Rossini: Il barbiere di Siviglia, Act 1: "La ran la le ra... Largo al factotum della citta" (Figaro)".
"Carmen, Act II: No.14 bis" and other compositions by Hampson have established him a well-liked presence in the classical and opera music scenes. Repertoire includes "La belle un mot; comment t'appelle-t-on? (Escamillo/Carmen/Zuniga)", "La traviata / Act II: "Un di, quando le veneri"", "La traviata / Act II: "Non sapete quale affetto"", and "Di Provenza il mar, il suol - Violetta".
In general, Thomas Hampson's success stems from his superb vocal skills and his capacity to engage audiences throughout performances. His best songs serve as evidence of both his talent and the enduring allure of classical and opera music.
What are the latest songs and music albums for Opera musician Thomas Hampson?
The well-known American baritone Thomas Hampson has recently put out a number of albums and singles. Hampson's aptitude for interpreting Franz Liszt's works is on full display in his most recent recording, "Liszt: Orchestral Songs (2023)". Liszt's "Der Erlkonig, S. 375/4 (2023)" and "Liszt: Go Not, Happy Day, S. 335/2 (2023)" are two of the tracks on the CD. For those who enjoy classical and opera music, this album is a must-listen.
In addition to his most recent album, Hampson has also made a number of singles available. Both "Richard Danielpour: War Songs: No. 3, Reconciliation (Live) (2016)" and "For Lenny, Episode 9: A Simple Song (2018)" pay lovely homage to Leonard Bernstein, while Hampson also displays his range and ability in "Richard Danielpour: War Songs: No. 3, Reconciliation (Live) (2016)." Hampson's dedication to making beautiful and meaningful music is evident in these singles.
"Songs from Chicago (2018)" is a noteworthy album by Hampson that includes a selection of songs by American songwriters that were influenced by the city of Chicago. This album, which includes songs like "Chicago" by Fred Fisher and "Nightmare Town" by Marc Blitzstein, is a lovely homage to the city and its illustrious musical past.
Overall, Thomas Hampson is a gifted musician who keeps on producing lovely and significant music. Fans of classical and opera music will be delighted by his most recent album and songs, which are evidence of his talent and artistry.
Which are the most important music performances and festival appearances for Opera musician Thomas Hampson?
American classical and opera singer-songwriter Thomas Hampson has performed on some of the most esteemed stages and festivals all over the world. Among other venues, Hampson has performed at the Schleswig-Holstein Musik Festival, Bemus, and the Istanbul Muzik Festival. His performances have been nothing short of extraordinary, winning him praise from the critics and fans alike.
The Bayerische Staatsoper, Muziekgebouw aan 't IJ, Konzerthaus Dortmund, Cankarjev dom, and Lensic Performing Arts Center are just a few of the prestigious locations where Hampson has played. He has consistently dazzled audiences with his amazing vocal range and emotional depth during his appearances at various places.
Hampson gave one of his most illustrious performances at the Salzburg Festival in Mozart's "Le nozze di Figaro." His depiction of the Count Almaviva received recognition for its flawless workmanship and nuanced emotions. His version of Mahler's "Das Lied von der Erde" with the Berlin Philharmonic is another noteworthy performance. Hampson's performance of the piece was praised for its subtlety and intensity.
In conclusion, Thomas Hampson has established himself as one of the best classical and opera artists of our day as a result of his appearances at several festivals and locations throughout the globe. Both crowds and critics have praised and adored him for his extraordinary vocal range, emotional depth, and craftsmanship.
Which are the most important collaborations with other musicians for Opera musician Thomas Hampson?
The American operatic baritone Thomas Hampson has collaborated on several projects during his career with a wide range of musicians. He worked with Michel Plasson on "Bizet: Carmen, Act II: No. 14 Couplets: Votre toast, je peux vous le rendre," among other projects.Toreador, en garde! (Escamillo/Carmen/Frasquita/Mercedes/Morales/Zuniga/Amis d'Escamillo)," Kiri Te Kanawa and Roberto Alagna for "Traditional: The Twelve Days of Christmas (Arr. Jonathan Tunick)," and Giuseppe Verdi and Anna Netrebko for "La traviata / Act II: 'Pura siccome un angelo.'"
One of Hampson's significant partnerships is for "Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. (b) "O Freunde, nicht diese Tone!" (Ode to Joy)" with the Wiener Philharmoniker, Sir Simon Rattle, and Barbara Bonney. This version of one of Beethoven's most well-known pieces is remarkable. The orchestra, choir, and baritone voice of Hampson combine to form a stunning harmony that is both resonant and moving.
It is also important to note the partnership between Gioachino Rossini and Gianluigi Gelmetti for "Rossini: Il barbiere di Siviglia, Act 1: 'La ran la le ra... Largo al factotum della citta' (Figaro)." Hampson's baritone voice, which is superb in this performance, effectively captures the humor and vigor of Figaro. His voice harmonizes with the orchestra and evokes the energy of the opera through a dynamic mood.
Thomas Hampson has worked with some of the best musicians and conductors in the business overall. His performances are evidence of his talent, and he has collaborated on some of the most iconic pieces of opera and classical music.