Samuel Mariño

Samuel Mariño has captivated audiences with a range of notable works. One standout is “Rusalka, Op. 114, B. 203, Act I: Song to the Moon,” which showcases his ability to convey deep emotion. Another significant piece is “Ave Maria, D. 839,” arranged for voice and orchestra, bringing a fresh perspective to a well-known classic.

Other tracks that have gained attention include “Hymne à l'amour,” “À Chloris,” and “The Last Rose of Summer.” Each piece highlights different aspects of his vocal talent. “Oh! quand je dors, S. 282 (2nd Version)” and “4 Lieder, Op. 27: No. 4, Morgen!” are also worth mentioning, as they reflect his versatility. Additionally, “Serse, HWV 40: Ombra mai fu ‘Largo’” rounds out his repertoire with a blend of elegance and depth. Mariño’s selection of songs continues to resonate with fans, making his performances memorable.

Samuel Mariño recently released the album "Lumina" in 2025, showcasing a collection of classical and operatic pieces. This album follows his previous work, "Sopranista," released in 2022, and "Les 3 Contre-ténors: Le concours de virtuosité des castrats" from 2021. Each album reflects his approach to vocal interpretation and his interest in diverse compositions.

In addition to the album, Mariño's latest single, "Gounod: Ave Maria, G 89a," arranged for voice and orchestra, also came out in 2025. This piece highlights his ability to blend traditional melodies with contemporary arrangements. The single is accompanied by other notable tracks such as "Dvořák: Rusalka, Op. 114, B. 203, Act I: Song to the Moon" and "Handel: Rinaldo, HWV 7: Lascia ch'io pianga," which further illustrate his range. Another recent single, "Yánez: Viajera del río," arranged for voice and guitar, adds a different texture to his discography.

Samuel Mariño's collaborations showcase a blend of classical and operatic traditions. One notable piece is "Rusalka, Op. 114, B. 203, Act I: Song to the Moon." Here, Mariño worked with Antonín Dvořák and the Covent Garden Sinfonia under the baton of Ben Palmer. This piece highlights themes of longing and desire, with a lush orchestration that complements Mariño's vocal delivery.

Another significant collaboration is "Ave Maria, D. 839," arranged by Hazell for voice and orchestra. This piece features the Covent Garden Sinfonia and Ben Palmer again, allowing for a rich interplay between Mariño's voice and the orchestral textures.

Additionally, tracks like "Hymne à l'amour" and "À Chloris," both with Jonathan Ware, further demonstrate Mariño's versatility. These collaborations emphasize emotional depth and lyrical expression, making them key highlights in his repertoire. Each partnership brings a unique element to his performances, enriching the listening experience.

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