Ryland Davies

Ryland Davies is known for several notable tracks that resonate with classical and opera fans. One standout piece is “Lucia di Lammermoor / Act 2: 'Chi mi frena in tal momento'.” This aria showcases emotional depth and technical skill. Another significant work is found in Verdi's “Otello: Piangea cantando nell'erma lauda - Act Four,” where the dramatic intensity shines.

Davies has also delivered memorable performances in Handel's "Messiah," particularly in “Comfort Ye My People” and “All They That See Him.” These selections highlight his ability to convey powerful messages through music. Other essential tracks include “Niun me tema” and “Mia madre aveva una povera ancella” from “Otello,” along with several more from Handel's oratorio.

The range of these works demonstrates the breadth of his repertoire, appealing to a wide audience. From the solemnity of Handel to the drama of Verdi, Davies's performances remain significant in the classical music scene.

Ryland Davies recently released the album "Mozart: Die Entführung aus dem Serail, K. 384 (Highlights) (2023)," which features select pieces from one of Mozart's well-known operas. This collection showcases key arias and ensemble numbers, focusing on the intricate vocal lines and the interplay of characters. The performance captures the essence of the opera without going into every detail of the full score.

In addition to this latest album, Davies has an extensive discography that includes "Mozart: Idomeneo (2004)" and "Stravinsky: Oedipus Rex (1977)." Each of these works highlights his ability to navigate complex musical landscapes, blending clarity with expression. "Idomeneo" features a rich tapestry of emotions, while "Oedipus Rex" offers a modern take on a classic story. These recordings illustrate his versatility in both classical and operatic settings, appealing to a broad audience interested in these genres.

Ryland Davies has participated in notable collaborations across various works. One significant piece is “Lucia di Lammermoor / Act 2: 'Chi mi frena in tal momento,'” where he worked alongside Gaetano Donizetti, Luciano Pavarotti, and Sherrill Milnes. This collaboration highlights the dramatic intensity of the opera, showcasing an intricate interplay of vocal talent.

Another remarkable collaboration is found in Handel's “Messiah.” In “Comfort Ye My People,” he teamed up with George Frideric Handel, conductor Raymond Leppard, and the English Chamber Orchestra. This piece is a staple in the classical repertoire, emphasizing the emotional depth of Handel’s composition. Similarly, in “But Thou Didst Not Leave His Soul,” the same team delivers a moving performance that resonates with audiences.

Davies also contributed to Stravinsky’s “Pulcinella Ballet,” collaborating with Teresa Berganza and John Shirley-Quirk. Their performance in the duet “Chi disse cà la femmena” reflects the playful energy of the ballet, adding another layer to his diverse collaboration portfolio.