Robert Stolz

Robert Stolz has a variety of popular tracks that showcase his talent in operetta and classical music. One notable piece is “Die ganze Welt ist himmelblau,” which captures a light-hearted spirit and has become a favorite among fans. Another standout is “Zwei Herzen im Dreivierteltakt,” known for its charming melody that resonates with listeners.

His works also include “Gräfin Mariza: Komm mit nach Varasdin” and “Ob blond, ob braun,” both of which reflect his knack for combining engaging lyrics with memorable tunes. Other essential tracks include “Marsch,” “Plies dall'Operetta 'Il Valzer perduto': Das ist kein Zufall,” “Neue Wiener Ländler,” and “Trennungswalzer.” “White Horse Inn: My Song of Love” rounds out the selection, offering a glimpse into his range and appeal.

Stolz’s music continues to be enjoyed for its catchy rhythms and the way it captures emotions, making it a staple in the operetta scene.

Robert Stolz has recently released several works that reflect his ongoing commitment to classical and operatic music. His latest album, "Forest Murmurs (2025)," presents a collection that captures the essence of nature through sound. Another recent album, "Nicolai Gedda - The Golden Voice (2025)," pays homage to the legendary tenor, showcasing Stolz's interpretation of beloved pieces. Additionally, "Viennese Memories (2024)" evokes a sense of nostalgia with its familiar melodies and themes.

In terms of singles, Stolz has shared several piano covers that highlight his unique approach. "Wien wird bei Nacht erst schön (Frühjahrsparade) [Piano Cover]" from 2018 invites listeners into the charm of Vienna after dark. "Im Prater blüh'n wieder die Bäume (Piano Cover)" from the same year continues the exploration of urban landscapes, while "Mein Liebeslied muss ein Walzer sein (Im Weissen Rössl) [Piano Cover]" from 2017 offers a classic waltz experience. Additionally, "Singend, klingend ruft dich das Glück ("Frühjahrsparade") [Piano Cover]" (2014) rounds out his recent releases, showcasing Stolz's skill in transforming well-known pieces into intimate piano renditions.

One notable collaboration is “Ob blond, ob braun” with André Rieu. This piece showcases a blend of Stolz's melodic style with Rieu's orchestral flair. The arrangement emphasizes lively rhythms and engaging harmonies, making it accessible to a wide audience. Rieu’s violin adds a distinct touch that complements Stolz's composition.

Their partnership highlights the appeal of classical music in a more contemporary setting, bridging different musical worlds. The collaboration not only brings Stolz's work to new listeners but also reflects Rieu's ability to reinterpret classical pieces for modern audiences. This track stands as an example of how collaborations can breathe new life into established compositions while maintaining their original charm.