Reynaldo Hahn

Reynaldo Hahn's work features a blend of lyricism and charm, evident in tracks like "À Chloris," which captures a sense of longing and beauty. Another notable piece is "La Barcheta," a work that showcases Hahn's ability to convey emotion through music. His "Premières valses: No. 5, Pas vite, simplement" offers a lighthearted waltz that invites listeners to sway along.

Other tracks such as "3 Préludes sur des airs populaires irlandais: No. 3, The Willow-Tree" and "Rêverie" reflect his skill in weaving simple melodies into more complex forms. The "Sonata for Violin and Piano: I. Sans lenteur, tendrement" provides an intimate experience for violin and piano, highlighting the interplay between the two instruments. Hahn’s "Le rossignol éperdu" series also features prominently, with several movements exploring rich themes of nature and emotion. His music remains a staple for those who appreciate the delicate balance between melody and sentiment.

Reynaldo Hahn's latest album, "Lento - Relaxing Piano," released in 2025, offers a soothing experience with a focus on calm melodies. Alongside this, "Calm Classics - Soundscape of Serenity" also debuted in the same year, inviting listeners into a tranquil auditory space. Another notable release is "Reflets dans l'eau - Calm & Relaxation," capturing the essence of serene moments through music.

In addition to these albums, Hahn has released several singles that showcase his range. "Hahn: Deux pièces pour flûte et piano, I. Danse pour une déesse" provides a delicate interplay of instruments. "L'heure Exquise" presents a gentle exploration of sound, while "Hahn: Le dieu bleu: Monstres et Démons" adds a touch of intrigue. The single "Hahn: À Chloris" rounds out this collection, highlighting his skill in blending emotion with melody. Each piece contributes to Hahn's ongoing exploration of themes in classical and opera music.

Reynaldo Hahn's collaborations showcase a blend of talent and creativity. In “À Chloris,” he worked with Samuel Mariño and Jonathan Ware, bringing a fresh interpretation to this classic piece. Their combined efforts highlight the emotional depth and lyrical beauty of Hahn's composition.

Another notable collaboration is with Pavel Kolesnikov on “Le rossignol éperdu: No. 53, Le pèlerinage inutile” and “No. 19, Berceuse féroce.” Kolesnikov’s piano performance complements Hahn’s intricate vocal lines, creating a captivating listening experience.

Hahn also partnered with Graham Johnson for “L'énamourée,” where the interplay between voice and piano underscores the piece's nuances. Additionally, the arrangement of “La Barcheta” for tenor and piano by Tom Poster, performed by the Kaleidoscope Chamber Collective and Karim Sulayman, offers a modern twist to Hahn's work. These collaborations not only highlight Hahn's versatility but also illustrate how artists can reinterpret and revitalize classical music.