Matmos

The Baltimore-based electronic music duo Matmos has a wide variety of well-known songs that their listeners adore. The eerie, melodious song "For The Trees" has a steady pace and ghostly voices. The duo's use of washing machine noises as musical instruments in "Ultimate Care II Excerpt One" results in an original and engrossing listening experience. Funky and lively, "Breaking Bread" features a catchy bassline and jovial percussion.

Dreamy and evocative, "Teen Paranormal Romance" includes a throbbing beat and haunting vocals. A long, depressing piece called "The Crying Pill" has eerie vocals and a somber piano melody. With little instrumentation and emotive vocals, "You" is a melancholic, brooding song. The instrumentation on "Very Large Green Triangles - Edit" is complex and layered, with a powerful beat. The dark, melancholy track "No Concept" has sparse instruments and melancholic lyrics. The sophisticated orchestration and pulsing beat of "Plastic Anniversary" provide a humorous and energetic vibe. Funky and energetic, "Exciter Lamp And The Variable Band" features a catchy bassline and jovial percussion.

Overall, Matmos boasts a distinctive and varied selection of well-known songs that highlight their originality and skill as electronic music producers. They have developed a devoted following and a reputation as one of the most avant-garde electronic music bands of our time because to their ability to employ unusual sounds and instruments to create compelling and unique music.

The American electronic music duo Matmos has been making music for the last twenty years, and they are from Baltimore. In 2022, they'll release "Regards/Uklony dla Boguslaw Schaeffer," a tribute album to the Polish composer Boguslaw Schaeffer. The album should be a distinctive fusion of electronic and experimental music, showcasing Matmos' breadth of musical experience.

"The Consuming Flame: Open Exercises in Group Form," an album by Matmos that was published in 2020, received attention for its avant-garde sound and experimental approach to music production. Yo La Tengo and Marisa Anderson are only a couple of the musicians and artists who collaborated on the record. It demonstrates the duo's capacity to make difficult yet approachable music.

"Plastic Anniversary," Matmos' previous album, was also widely praised when it was released in 2019. The album addresses issues relating to the environment and commercial culture and uses a range of unusual instruments, including plastic bags and credit cards. It serves as a shining illustration of Matmos' dedication to making music that is both thought-provoking and captivating.

In terms of singles, Matmos has been active in 2022, putting out several songs that highlight their distinctive sound. The songs "Singularity 04: After Mud Guts," "Flashcube Fog Wares / Glucha Affera Slow," "Cobra Wages Shuffle / Off! Schable w gure!," and "Flight to Sodom / Lot do Salo" are all examples of how the pair pushes the limits of electronic music.

Overall, Matmos' most recent works show evidence of their capacity to experiment and create with sound. Matmos keeps expanding the possibilities of what electronic music may be, whether through partnerships with other musicians or the use of unusual instruments.

Since its debut, Matmos, a Baltimore-based electronic/downtempo duo, has maintained a steady presence at music festivals. Their live performances are recognized for their outré approach to music-making, which incorporates commonplace noises and objects to produce an original soundscape. They have appeared at some of the most famous festivals in the world, including Unsound Adelaide, Mutek Montreal, Long Play Festival, and EKKO Festival.

In 2018, they gave a particularly remarkable performance at Unsound Krakow, working live with Polish experimental jazz musician Marcin Masecki. Masecki's excellent piano playing and the duo's imaginative use of field recordings combined to create a fascinating performance that astounded the audience. Similar to this, their performance at Mutek Montreal in 2019 alongside a group of modern dancers was an incredible example of audio-visual synergy.

The Jazz Cafe in London, HAU Hebbel am Ufer in Berlin, Le Botanique in Brussels, Le Poisson Rouge in New York City, and the National Concert Hall in Dublin are just a few of the legendary places Matmos has performed in. The duo's distinctive fusion of beats and soundscapes throughout their performances at these venues has been nothing short of electrifying, giving audiences an immersive experience.

Overall, Matmos' performances at renowned venues and appearances at festivals have cemented their status as forerunners of the electronic/downtempo genre. They continue to enthrall audiences all over the world with their creative approach to music-making and live performances.

The Baltimore-based electronic and downtempo music duo Matmos has worked with other musicians to produce some of their most significant compositions. Among these partnerships, "Water" with So Percussion stands out as a distinctive and avant-garde musical composition. The members of So Percussion used bowls, gongs, and other instruments to create a captivating soundscape for the song, which is an investigation of the sounds of water through sound. The percussion is set against the mesmerizing electronic sounds and textures of Matmos, creating a really compelling listening experience.

The Matmos remix of Wye Oak's "Sick Talk" is another noteworthy result of their partnership. With glitchy beats and ethereal synths, the remix turns the indie rock song into a dreamy electronic masterpiece. The remix's unearthly tone is enhanced by the processed and distorted vocals. Matmos manages to preserve the emotional heart of the song despite the significant alterations to the original track, producing a singular and lovely interpretation.

The tune "Circle of Swords" by Matmos and Clipping is dark and dramatic, with ominous drums and distorted voices. The song serves as a showcase for Matmos' deft blending of electronic and acoustic sounds. The track's sinister ambiance blends flawlessly with Clipping's experimental hip-hop style to create a disturbing and unforgettable combination.

Last but not least, Yo La Tengo's "Io! Lavender River Karez" is a stunning and ethereal piece with shimmering synths and soft percussion. The song is a change for Matmos from their more experimental works and demonstrates their talent for crafting sumptuous and haunting soundscapes. Yo La Tengo's contributions to the song are understated but effective, giving the already ethereal arrangement a dreamy feel.

Overall, Matmos' musical flexibility and originality are showcased by their partnerships with So Percussion, Wye Oak, Clipping, and Yo La Tengo. Some of Matmos' most enduring works are the product of their inventive and distinctive collaborations.