Matilda Lloyd

Matilda Lloyd has made a mark with her engaging performances and a selection of memorable tracks. One standout piece is "Night Prayer," which resonates with many listeners for its contemplative tone. Another notable work is "Nunc dimittis (1979 A Cappella Version)," showcasing vocal clarity and harmony.

Other tracks like "The Light Thereof," "Dum transisset Sabbatum," and "Christe, qui lux es et dies II" contribute to her diverse repertoire. "Aura" and "Enter Ghost" also reflect her ability to blend traditional elements with modern interpretations. Additionally, "The Strathclyde Motets: In splendoribus sanctorum" rounds out her collection, emphasizing her connection to choral traditions. Each piece reveals her skill and unique approach to orchestral music.

Matilda Lloyd has been active with new music releases that showcase her talent in the classical genre. The latest album, "Resonance (2024)," features a variety of compositions that highlight her skill with the trumpet. This album adds to her discography, which includes "Casta Diva - Operatic Arias Transcribed for Trumpet (2023)" and "Arnold Griller: Orchestral Music, Vol. 3 (2021)." Each project reveals her commitment to expanding the trumpet's role in orchestral settings.

In addition to her album work, Lloyd has also released several singles. Among them is "Bach (arr. Gowers): Adagio in A Minor, BWV 564 (2025)," a piece that reinterprets a classic composition. She has also introduced "Roxanna Panufnik: Echo (2025)," "Martini (arr. Alain): Toccata (2025)," and "Krebs (arr. Lloyd): Fantasia in C Major (2025)." Each track contributes to her growing repertoire, offering listeners a range of classical interpretations.

Matilda Lloyd has made notable appearances in various prestigious venues and festivals throughout her career. At Kings Place in London, she performed a selection of classical works that resonated well with the audience, showcasing her skill and musicality. The venue, known for its focus on chamber music, provided an intimate setting that enhanced the experience.

Her performance at the Festspielhaus Baden-Baden was also significant. This renowned venue has hosted many classical musicians, making it a key stop on the concert circuit. In addition, Lloyd has appeared at the Kleine Zaal at Concertgebouw, a space celebrated for its acoustics, offering another opportunity for her to connect with audiences.

Other notable appearances include the Oratoire du Louvre, where her solo performance added to the rich tapestry of classical music events. Each venue has played a role in shaping her public presence and expanding her reach within the classical music community.

Matilda Lloyd has engaged in notable collaborations with The Gesualdo Six and Owain Park, creating a variety of works that blend their talents. One standout piece is “Night Prayer,” where the combined efforts of Lloyd, Park, and The Gesualdo Six bring a contemplative atmosphere. The synergy between the musicians highlights their commitment to presenting choral music in a fresh context.

Another significant collaboration is “Nunc dimittis (1979 A Cappella Version),” which showcases the intricate vocal harmonies of The Gesualdo Six alongside Lloyd's nuanced interpretation. This partnership emphasizes their ability to express deep emotion through music. Tracks like “Dum transisset Sabbatum” and “Christe, qui lux es et dies II” further illustrate their collaborative strength, blending traditional and contemporary styles. Each work reflects their shared vision, adding depth to the choral repertoire while allowing each artist’s voice to shine.

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