Maria Mendes

The accomplished jazz and smooth jazz artist from Porto, Portugal, Maria Mendes, has a number of well-known songs on her discography. Her calming voice and amazing range have made her a global celebrity. One of her best songs is "Smile," and others include "Timeline (Live at Mom's Funeral)," "Come Rain or Come Shine," and "E Se Nao for Fado." She is able to work with different musicians, as seen by the songs "Ha Uma Musica do Povo (feat. John Beasley & Metropole Orkest)" and "Fado da Invejosa (feat. John Beasley & Metropole Orkest)".

Another well-known song that highlights Mendes' abilities is "Chorinho Pra Ele". The track is a lovely fusion of jazz and Brazilian choro music, and Mendes' sultry vocals only serve to enhance its allure. Popular songs like "Innocentia" and "Innocent Travels" also showcase her talent for singing lovely melodies. The traditional jazz song "Handful of Soul" highlights Mendes' vocal range and mastery.

With her tremendous skill and distinctive voice, Maria Mendes has clearly established a reputation for herself in the jazz and smooth jazz music scenes. Her well-known songs serve as examples of her range and gift for composing entrancing tunes. Check out her discography if you like jazz or smooth jazz music and feel Maria Mendes' enchantment.

The Portuguese jazz and smooth jazz singer Maria Mendes has been engrossing her audience with her most recent music releases. "Saudade, Colour of Love (Live) (2022)," her most recent album, is a live recording that demonstrates both her vocal power and her capacity to engage with her audience. Fans must listen to the CD since it perfectly captures the spirit of her live performances.

"Com Que Voz (Radio Edit) (2022)," Maria's most recent single, is a gorgeous cover of Amalia Rodrigues' original composition. Maria's captivating vocals are featured in the song, which also has a tender tune that will make you cry. The song "Hermeto's Fado for Maria (Radio Edit) (2022)," an homage to the renowned Brazilian musician Hermeto Pascoal, has also been picking up steam.

The album "Close To Me," which Maria released in 2019 and was a collaboration with the Metropole Orkest, showcased her range as a performer. Both of the album's hits, "E Se Nao For Fado" and "Barco Negro," were favorably accepted by her followers.

With her lovely voice and skill in incorporating other musical styles into her jazz and smooth jazz repertoire, Maria Mendes never ceases to astound her audience. Her most recent album and songs are examples of her brilliance and commitment to her field.

Maria Mendes, a jazz and smooth jazz performer from Porto, Portugal, has made a number of notable appearances at festivals. Freedom Time Perth was where she had one of her best festival appearances. Mendes was able to hold the audience's attention with her own sound and manner despite the festival's reputation for including musicians from a variety of genres.

Maria Mendes has played at some of Europe's most prominent venues in addition to festivals. She has performed at venues such as The Bird's Eye Jazz Club, De Doelen Rotterdam, Bimhuis, Muziekgebouw aan 't IJ, and Het Concertgebouw Amsterdam. The world's top artists frequently perform at these places, but Mendes was able to compete thanks to her amazing vocal range and control.

She gave a memorable performance of "Asas Fechadas" at The Bird's Eye Jazz Club. This song is well-known for its stirring lyrics and heartfelt melody, and Mendes was able to convey the song's meaning through her sincere performance. Her performances are particularly unforgettable because of her capacity to engage the crowd and evoke the mood of the song.

Overall, Maria Mendes has had a number of standout performances and festival outings that have solidified her reputation as one of the greatest Jazz and Smooth Jazz performers of our time. She is a force to be reckoned with in the music industry thanks to her distinctive voice and style as well as her amazing vocal range.

The jazz and smooth jazz musician from Portugal, Maria Mendes, has worked with many musicians over the course of her career. Some of the most noteworthy ones are Vincent Houdijk, John Beasley, and Metropole Orkest. Vincent Houdijk plays vibraphone on one of their joint compositions, "Timeline (Live at Mom's Funeral)," which is an emotive and sincere ode to Mendes' mother. The vibraphone gives the song a delicate, melancholy tone that perfectly accentuates Mendes' voice.

Another noteworthy collaboration is "Ha Uma Musica do Povo (feat. John Beasley & Metropole Orkest)." John Beasley plays the piano on the song, and Mendes is accompanied on vocals by Metropole Orkest. Mendes' voice soars over the orchestra in this opulent and grandiose composition. Beasley's piano offers a jazzy and lighthearted flavor to the song that contrasts beautifully with Mendes' voice.

Last but not least, "Asas fechadas," a project with Metropole Orkest, demonstrates Mendes' ability to combine jazz with classical Portuguese music. The orchestra provides a rich and dramatic backdrop for Mendes' vocals in the composition, which is opulent and expansive. The song is a stunning illustration of Mendes' individual style and showcases her skill at writing engrossing and emotive music.

Overall, Maria Mendes has worked with John Beasley, Vincent Houdijk, and Metropole Orkest to produce some of her most enduring and moving songs. These partnerships highlight Mendes' musical range and her capacity to write songs that are both musically and emotionally sophisticated.