María Dueñas

María Dueñas has captured attention with her captivating performances of various classical pieces, particularly the "24 Caprices for Solo Violin, Op. 1, MS 25." Among these, "No. 24 in A Minor. Tema con variazioni. Quasi presto" stands out for its intricate variations, showcasing technical skill and expressive depth. Another notable piece is "No. 1 in E Major 'L'arpeggio'. Andante," which highlights a more lyrical and flowing style.

Other tracks like "No. 2 in B Minor. Moderato," "No. 9 in E Major 'La chasse'. Allegretto," and "No. 5 in A Minor. Agitato" contribute to her diverse repertoire. Pieces such as "Homage 1770" and "Caprice andalous, Op. 122" exemplify her range as a violinist. Additionally, the "12 Danzas españolas, Op. 37: No. 5, Andaluza" arranged for guitar and violin adds a unique flavor to her work, blending traditional Spanish elements with classical techniques. These selections reflect her versatility and dedication to the art of music.

María Dueñas has recently released the album "Paganini: 24 Caprices — Caprices by Berlioz, Cervelló, Kreisler, Ortiz, Saint-Saëns, Sarasate, Wieniawski," set to drop in 2025. This collection features a range of interpretations of Paganini's work alongside other notable composers. The album aims to showcase the versatility of the violin and its repertoire.

In 2024, Dueñas also presented "Gabriela Ortiz: Revolución diamantina," which highlights contemporary compositions. Another significant addition to her discography is the "Beethoven: Violin Concerto in D Major, Op. 61," featuring cadenzas by Kreisler and Dueñas, released in 2023.

Her latest single, "Paganini: 24 Caprices for Solo Violin, Op. 1, MS 25: No. 9 in E Major 'La chasse'. Allegretto," will be available in 2025. This follows the 2024 releases of "Paganini: 24 Caprices for Solo Violin, Op. 1, MS 25: No. 24 in A Minor. Tema con variazioni. Quasi presto," and several arrangements by Kreisler. These tracks reflect her ongoing engagement with both traditional and modern violin music.

María Dueñas has engaged in notable collaborations that highlight her versatility in classical music. One standout piece is “12 Danzas españolas, Op. 37: No. 5, Andaluza. Playera,” which features contributions from Enrique Granados, Fritz Kreisler, and Raphaël Feuillâtre. This collaboration showcases a blend of guitar and violin, bringing a unique texture to the traditional Spanish dance.

Another significant work is “Caprice andalous, Op. 122,” done alongside Camille Saint-Saëns and the Deutsches Symphonie-Orchester Berlin. This piece reflects a rich dialogue between Dueñas and the orchestra, emphasizing her skill in chamber music settings.

In “De cuerda y madera,” she collaborated with Gabriela Ortiz and Alexander Malofeev, exploring a fresh perspective on string instrumentation. The partnership adds depth to the interplay between different musical voices. Lastly, her work on “Recitativo and Scherzo-Caprice, Op. 6” with Fritz Kreisler and the cadenza to Beethoven's Violin Concerto with Eugène Ysaÿe further illustrates her broad range and adaptability in performance.