Marek Štilec

Marek Štilec has made a mark with several notable compositions. One standout track is “Symphony in A Major, Op. 24 No. 2, P. I:7: IV. Finale. Prestissimo.” This piece captures attention with its lively tempo, making it a favorite among listeners. Another engaging work is “Symphony in G Minor, Op. 22 No. 3, P. I:5: III. Presto.” Its brisk pace adds energy to any performance.

Other significant tracks include “Das listige Bauernmädchen: Ouvertura. Allegro” and “Symphony in D Major, Op. 22 No. 1, P. I:3: IV. Presto con fuoco.” The variety in his compositions showcases his range, from dramatic overtures to lively symphonic movements. Additional works like “Achmet und Zenide, Act II: Ouverture Capriccio,” “Symphony in A Major, Op. 24 No. 2, P. I:7: I. Allegro moderato,” and “Das listige Bauernmädchen: No. 12” round out his impressive catalog. These pieces contribute to his recognition in the classical music scene, appealing to a diverse audience.

Marek Štilec recently released his latest album, *Wranitzky: Orchestral Works, Vol. 8 (2025)*, which continues to explore the orchestral compositions of Wranitzky. This follows the previous volume, *Wranitzky: Orchestral Works, Vol. 7 (2024)*, expanding on the themes and styles established earlier. Additionally, *Fučík: Dances & Marches (2024)* showcases a collection of lively pieces that highlight the rhythmic energy often found in Fučík's works.

In the realm of singles, Štilec has put out several tracks from the *Songs Without Words – Symphony Edition*. The most recent, “Songs Without Words – Symphony Edition Act IV (2022),” contributes to the evolving narrative of this series. Other notable singles include “Songs Without Words – Symphony Edition Act III (2022)” and “Children Of Conflict (2022),” each reflecting different aspects of his musical vision. These releases demonstrate his commitment to blending orchestral elements with contemporary themes.

Marek Štilec's collaborations with Paul Wranitzky showcase a blend of classical themes and orchestral textures. One notable track is “Das listige Bauernmädchen: Ouvertura. Allegro,” where Štilec's interpretation provides a lively backdrop to Wranitzky’s composition, highlighting the playful spirit of the piece. Another significant collaboration is “Achmet und Zenide, Act II: Ouverture Capriccio,” which further demonstrates the synergy between Štilec and Wranitzky, merging intricate melodies with a dynamic orchestral arrangement.

Additionally, “Das Waldmädchen: No. 19, Masur” stands out for its rhythmic elements and engaging structure. Štilec’s performance captures the essence of the work, making it accessible while still honoring Wranitzky's original intentions. The collaboration extends to “Merkur, der Heiratsstifter: Sinfonia” and “Das listige Bauernmädchen: No. 16b, Menuetto moderato,” where Štilec continues to explore Wranitzky’s diverse musical landscape. Each piece reveals a commitment to both tradition and innovation in orchestral music.