Marc Piollet

Marc Piollet has a diverse repertoire that features several notable tracks. One standout piece is “Ruhe sanft, mein holdes Leben.” This work captures a sense of calm and reflection. Another compelling selection is “Le nozze di Figaro, K. 492: Porgi amor,” which showcases the emotional depth found in opera.

Other popular tracks include “Don Giovanni, K. 527: Mi tradì” and “Fra i pensieri più funesti.” The intense emotions in these pieces resonate with many listeners. The lighter moments can be found in “Così fan tutte, K. 588: Come scoglio” and “Dove sono i bei momenti.”

Fans appreciate the variety in Piollet's work, from the dramatic “Ah, fuggi il traditor” to the reflective “L'amerò.” His interpretations bring a unique perspective to these classics. Each track offers a glimpse into the rich landscape of classical music, making them worth exploring for any music lover.

Marc Piollet’s recent contributions to classical music include his work on the album “Living Concert Series - Schumann: Genoveva (2013).” This recording highlights the dramatic and emotional aspects of Schumann's opera, showcasing a blend of orchestral depth and vocal performance. The music captures the essence of the story, allowing listeners to experience the narrative through sound.

In addition, Piollet's earlier albums, such as “Mozart (2008)” and “Burgmüller: Symphony No. 1 in C Minor, Op. 2 - Staehle: Symphony No. 1 in C Minor (2006),” reflect a commitment to classical repertoire. Each piece presents a unique perspective on the composers' styles, offering a varied listening experience. These albums demonstrate an exploration of different musical forms and expressions, appealing to both seasoned listeners and newcomers to orchestral music.

Marc Piollet's collaborations with Annette Dasch and Wolfgang Amadeus Mozart highlight a significant intersection of voice and orchestration. In "Ruhe sanft, mein holdes Leben," Piollet and Dasch bring a delicate balance to Mozart's composition, showcasing the interplay between the orchestra and the soprano's expressive delivery.

Another notable collaboration is “Porgi amor” from "Le nozze di Figaro." Here, Dasch's interpretation shines alongside Piollet’s orchestral direction. The combination emphasizes the emotional depth of the piece while maintaining clarity in the music's structure.

The duo also engages in "Mi tradì" and "In quali eccessi (Rec.)," where their partnership continues to explore the nuances of Mozart's operatic themes. Each piece reflects the synergy between the orchestra and the soloist, enriching the listener’s experience. Through these collaborations, Piollet and Dasch demonstrate an effective blend of vocal and orchestral elements, contributing to the ongoing appreciation of Mozart's works.