Lost in Beijing

Lost in Beijing has made waves in the electronic and dubstep scene with tracks that resonate with fans. One standout is “Terror.” This track grabs attention with its heavy bass and intense drops, creating a vibe that really gets the crowd moving. It’s a staple in their sets and showcases their skill in crafting engaging beats.

Another notable track is “Riddim Sucks.” This song plays with rhythm and sound, drawing listeners in with its unique structure. The blend of heavy bass and intricate melodies makes it memorable. Other tracks from them also contribute to their growing reputation in the electronic music world. They have a sound that connects with fans, making their music a go-to for anyone who enjoys the genre.

Lost in Beijing continues to make waves in the electronic and dubstep scenes with recent releases. The single "War Of The Worlds (2021)" showcases a blend of pulsating beats and layered synths, reflecting the artist's evolving sound. Following this, "Daylight (2020)" takes listeners on a different journey, featuring a lighter rhythm that contrasts with deeper bass elements.

In 2020, tracks like "Riddim Sucks" and "I'd Do It Again feat. Saint Yves (Lost In Beijing Remix)" further highlight the artist's versatility. "Riddim Sucks" dives into energetic drops while maintaining a catchy flow, appealing to fans of the genre. The remix of "I'd Do It Again" adds a fresh twist to the original, making it accessible to both new listeners and long-time fans. These tracks reinforce Lost in Beijing's presence in the electronic music landscape, blending innovative soundscapes with engaging rhythms.

Lost in Beijing has made notable appearances at various music venues and festivals, showcasing their unique sound. One of the standout performances took place at The Vanguard in Orlando, where they engaged a diverse crowd with their energetic set. The venue's atmosphere complemented the music, creating a memorable experience for attendees.

In addition to club shows, Lost in Beijing participated in several electronic music festivals throughout the year. Their sets often featured a mix of original tracks and well-known dubstep hits, reflecting their versatility and connection with the audience. Festivals such as Electric Daisy Carnival and Ultra Music Festival have also welcomed them, further establishing their presence in the electronic music scene.

Other performances include local events in Beijing and collaborations with various artists in the genre. Each appearance contributes to their growing reputation and influence within the electronic community.