Leticia Gómez-Tagle

The acclaimed Austrian classical and chamber pianist Leticia Gómez-Tagle has mesmerized audiences with her extraordinary talent and artistry. Her best songs include the entrancing "4 Mazurkas, Op. 30: Mazurka No. 21 in C-Sharp Minor, Op. 30, No. 4" and the mesmerizing "Danzon No. 2 (arr. L. Gómez-Tagle for piano)." These pieces highlight her piano prowess and her capacity to convey strong feelings through her performance.

The eerie beauty of "24 Preludes, Op. 28: Prelude No. 4 in E Minor, Op. 28, No. 4", another standout track, demonstrates her extraordinary technical ability and melodic sensitivity. Additionally, her talent to bring out the subtleties of a work is demonstrated by the captivating "24 Preludes, Op. 28: Prelude No. 15 in D-Flat Major, Op. 28, No. 15, 'Raindrop'".

In addition to "Joropo," "Danza para la mano izquierda sola (Dance for the Left Hand)," "Malgre Tout" (In Spite of Everything"), and "Las Quatro Estaciones Portenas: Las 4 Estaciones Portenas: No. 1. Verano porteno (arr. for piano)," Leticia Gómez-Tagle has composed several other noteworthy songs.

She also demonstrates her ability to capture the grandeur and majesty of Chopin's music in her performance of the well-known "Polonaise No. 6 in A-Flat Major, Op. 53, 'Heroic'". Last but not least, she displays her variety and virtuosity in the evocative "24 Preludes, Op. 28: Prelude No. 6 in B Minor, Op. 28, No. 6" and the vivacious "El Sombrero de Tres Picos: Danza del Molinero (Version for Piano)".

The best songs of Leticia Gómez-Tagle span a variety of moods and musical genres, demonstrating her extraordinary creativity and craftsmanship. Her interpretations give these ancient works fresh life, allowing listeners to fully appreciate the richness and beauty of the music.

Austrian classical and chamber musician Leticia Gómez-Tagle has recently published a number of outstanding CDs. Her most recent CD, "Si! (2019)," demonstrates her extraordinary talent and artistic ability. The songs on this CD are a compelling fusion of chamber music and classical works, each radiating its own special elegance and charm. Gómez-Tagle brings these works to life with her flawless technique and skillful interpretation, mesmerizing the audience with her musical brilliance.

Leticia Gómez-Tagle's prior album, "Poems & Pictures (2017)," is particularly noteworthy in addition to "Si! (2019). This CD masterfully blends gorgeous harmonies with poetic melodies to produce a really engrossing musical experience. Each track is enhanced by Gómez-Tagle's expressive performance and subtle phrasing, which delights aficionados of classical and chamber music.

"Dance Passion (2016)" is a noteworthy album in Leticia Gómez-Tagle's catalog. This album demonstrates her musical range as she delves into the exciting world of dance-inspired classical tunes. "Dance Passion" is a tribute to Gómez-Tagle's capacity to enthrall audiences and transport them on a musical journey thanks to its contagious rhythm and vivacious songs.

Leticia Gómez-Tagle's exceptional aptitude and musical ability continue to enthrall audiences. Her most recent CDs, such as "Si!" (2019), "Poems & Pictures," and "Dance Passion," bear witness to her commitment to and love of classical and chamber music. Each song on these albums exhibits her extraordinary talent and craftsmanship, making for an enthralling and compelling listening experience for all music lovers.

The Austrian classical musician Leticia Gómez-Tagle has worked with a number of well-known musicians throughout her career. Among her prominent partnerships is Frederic Chopin. She has displayed exceptional skill when playing Chopin's "24 Preludes, Op. 28: Prelude No. 4 in E Minor, Op. 28, No. 4" and "4 Mazurkas, Op. 30: Mazurka No. 21 in C-Sharp Minor, Op. 30, No. 4". Through her interpretation of these works, Gómez-Tagle demonstrates her exceptional talent and comprehensive knowledge of Chopin's masterpieces.

Her performance of "Las Quatro Estaciones Portenas: Las 4 Estaciones Portenas: No. 1. Verano porteno (arr. for piano)" by Anonymous and Astor Piazzolla is another significant collaboration. Gómez-Tagle's performance gives this work a special touch by skillfully fusing classical and Latin themes. She absolutely excels at capturing the essence of Piazzolla's music while maintaining the integrity of her classical training.

Gómez-Tagle and Franz Liszt also worked together on the piece "Soirees de Vienne, S. 427: Schubert - Soirees de Vienne, S427/R252: No. 6. Allegro con strepito." Gómez-Tagle's version reveals her command of the piano, which is essential for performing Liszt's complex pieces, which call for a high level of technical competence. Her performance of this piece demonstrates her technical prowess and aptitude for bringing out the intensity and complexity of Liszt's compositions.

Leticia Gómez-Tagle has worked with composers like Franz Liszt, Anonymous and Astor Piazzolla, and Frederic Chopin, and the results have been compelling performances that showcase her great talent and range as a classical performer. She stands out in the field of chamber music because of her talent for accurately and passionately interpreting a broad range of musical forms.