Jonathan Tetelman

American pianist Jonathan Tetelman is gifted in both classical and operatic music, and his outstanding performances have enthralled audiences. "O Luigi! Luigi!... Dimmi, perche gli hai chiesto" from Il tabarro, "Ah! Manon, mi tradisce" from Manon Lescaut, and "Che giova?... Io so che alle sue pene" from Madama Butterfly are some of his most well-known songs. These songs highlight Tetelman's ability to use his strong, expressive voice to emote intensely.

Tetelman also has a fondness for the song "Ch'ella mi creda" from La fanciulla del West. His ability to move fluidly across vocal registers and captivate listeners with a nuanced interpretation is on full display in this lovely aria. Furthermore, Tetelman's ability to portray sensitivity and vulnerability in his performances is demonstrated in Turandot's "Non piangere, Liu".

Tetelman's renditions of these well-known songs demonstrate his command of the classical and operatic genres. His powerful, resonant voice allows him to emotionally connect with the audience in a way that is genuinely astounding. Tetelman's remarkable talent and artistry never cease to amaze and inspire audiences during his performances.

Apart from the songs mentioned above, Tetelman possesses an extensive collection of other well-known songs that have won him a devoted fan base. His reputation as a reputable classical and opera pianist has been cemented by his commitment to his art and his ability to bring these timeless compositions to life. Audiences look forward to seeing Tetelman's next masterwork as he continues to dazzle on stage with his amazing performances.

The American artist Jonathan Tetelman, who specializes in classical and opera music, just published his most recent album, "The Great Puccini (2023)". Tetelman's extraordinary talent and love for the compositions of the well-known Italian composer Giacomo Puccini are on full display in this album. Tetelman captivates listeners with each track by interpreting Puccini's classic melodies in a new way with his passionate and strong vocals.

Among Tetelman's most recent singles, "Puccini: Turandot, SC 91: Nessun dorma (2023)" is particularly noteworthy. Tetelman's vocal range and control are on full display in this well-known aria from the opera Turandot, which makes for an engaging performance. "Puccini: Tosca, SC 69: Mario Cavaradossi?... E lucevan le stelle (2023)" is another noteworthy song, in which Tetelman's poignant interpretation reveals the complexity of the character's feelings.

Tetelman's song "Saint-Saens: Oratorio de Noel, Op. 12: No. 4, Domine, ego credidi (2022)" showcases his flexibility as he delves into the works of French composer Camille Saint-Saens in addition to his repertoire of Puccini. In addition, his performance of "Ponchielli: La Gioconda, Op. 9: Cielo e mar! (2022)" demonstrates his skill in elegantly capturing the spirit of Italian opera.

Jonathan Tetelman's devotion to the opera and classical music genres is evident in his recent songs and albums, which never fail to enthrall listeners. His performances of Puccini's pieces as well as other noteworthy masterpieces demonstrate his extraordinary vocal prowess and in-depth knowledge of the music. Tetelman keeps proving to be a gifted and adaptable musician in the classical and operatic music genres with every release.

Jonathan Tetelman has worked with a number of well-known performers in the opera and classical music genres. A noteworthy joint effort features Giacomo Puccini, the Prague Philharmonia (PKF), and conductor Carlo Rizzi in the song "Madama Butterfly, SC 74: Che giova?... Io so che alle sue pene." Tetelman's commanding vocals and Puccini's poignant score come together in this collaboration to provide an enthralling performance of the beloved opera. The performance is further enhanced by Rizzi's skilled direction and the flawless orchestration provided by PKF - Prague Philharmonia.

On "Turandot, SC 91: Non piangere, Liu," Tetelman reunites with Carlo Rizzi, PKF - Prague Philharmonia, and Giacomo Puccini for another noteworthy collaboration. In this collaboration, Rizzi and the orchestra create a rich and dynamic background, showcasing Tetelman's ability to communicate the emotional depth of the piece. The finished product is an amazing performance of this well-known opera.

The collaborations with Giacomo Puccini, PKF - Prague Philharmonia, and Carlo Rizzi stand out for their flawless fusion of Tetelman's vocals, Puccini's compositions, and the orchestral arrangements, even though each of the previously listed collaborations has merits of its own. These partnerships highlight Tetelman's versatility as a musician and his aptitude for capturing the spirit of the pieces he plays.