Jonathan Sells

Jonathan Sells has made a mark with a selection of tracks that resonate deeply with listeners. "Ave, dulcissima Maria" stands out as a well-loved piece, showcasing a blend of emotion and melody. Another notable work is "Missa Gratias agimus tibi, ZWV 13: IIb. Laudamus te," which captures a sense of reverence, reflecting the essence of choral music.

Other popular tracks include "Beatus vir in C Major, ZWV 76: I. Beatus vir," "Laudate pueri Dominum in F Major, ZWV 82," and selections from "Il Primo Libro de Madrigali, Op. 1." Pieces like "Fuggi, fuggi, o mio core, SWV 8" and "O primavera, SWV 1" display a diverse range, from joyful to introspective. The emotional depth in "Wie ist dein Name so groß (Donner-Ode Teil 1)" adds another layer to his repertoire. Each track contributes to an engaging listening experience that resonates with fans of classical and opera music alike.

Jonathan Sells has recently released the album "Bruckner & Gesualdo: Motets (Live)" in 2025. This live recording features a selection of motets, showcasing a blend of Bruckner's choral works alongside those of Gesualdo. The performance captures the essence of both composers, presenting their distinct styles in a live setting.

In addition to the album, Sells has put out several singles this year. "Christus factus est WAB 11" stands out as a notable piece, reflecting his interpretation of Bruckner's sacred music. "O vos omnes" and "Os justi WAB 30" also contribute to his exploration of choral traditions and liturgical themes. Each track offers listeners a glimpse into Sells's approach to classical and opera music, emphasizing clarity and emotional depth.

Jonathan Sells has engaged in several notable collaborations in the classical and opera music realm. One significant piece is “Missa Gratias agimus tibi, ZWV 13: IIb. Laudamus te,” where he worked with Jan Dismas Zelenka, Hannah Morrison, David Allsopp, and Thomas Hobbs. This collaboration showcases a blend of voices that accentuates the intricate harmonies of Zelenka's composition.

Another important project is “Ave, dulcissima Maria,” performed with the Monteverdi Choir. This piece highlights the choir's ability to bring depth to the work, enhancing Sells' vocal interpretations. The collaboration reflects a commitment to exploring early music and its emotional resonance.

In addition, “Beatus vir in C Major, ZWV 76: I. Beatus vir” features Sells alongside Zelenka, Hobbs, and Barockorchester Stuttgart. This partnership emphasizes the rich textures of baroque music. Each collaboration reveals a different facet of Sells' artistry while honoring the composers involved.