John Psathas

John Psathas has created a range of engaging tracks that resonate with listeners. "Run" stands out with its rhythmic drive, while "The Storm" presents a dynamic exploration of sound. Each piece showcases a unique blend of classical and contemporary influences.

Other notable tracks include "Calls Me," "Planet Damnation," and "Craving The World." "Until You" offers a reflective moment, contrasting with the more intense "Leviathan: IV. A Falcon, a Storm, or a Great Song?" The evocative "Twilight Fade" invites listeners to experience a gradual shift in mood.

Psathas's composition "Orbital" captures attention through its intricate layers. The live arrangement of "Fragment" for vibraphone and piano, adapted for glockenspiel and piano by Claire Edwardes, adds a fresh twist to his work. Each track contributes to a diverse catalog that continues to engage audiences.

John Psathas has recently released a new album titled “Voices at the End,” set to arrive in 2025. This follows his previous work, “Leviathan,” from 2024, and “Modern Gods,” which came out in 2023. Each project showcases his distinct style and approach to composition, reflecting a journey through various themes and ideas.

In addition to the album, Psathas has also unveiled a new single called “Fragment,” expected in 2025. This track adds to his growing discography, which includes recent singles like “Calls Me,” “Shiva Brahma,” and “Planet Damnation,” all released in 2024. These songs highlight his ability to blend traditional and contemporary elements, appealing to a wide audience while pushing the boundaries of chamber music.

John Psathas has performed at various notable venues and festivals, showcasing his contributions to classical and chamber music. One highlight was his performance at the Michael Fowler Centre, where he captivated audiences with his unique style and compelling compositions.

He has also been involved in the New Zealand International Festival of the Arts, sharing the stage with other prominent musicians. His appearances at this festival have allowed him to connect with both local and international audiences, emphasizing his role in the contemporary music scene. Additionally, Psathas has participated in various chamber music festivals, collaborating with ensembles and contributing to the development of new works.

His engagements reflect a commitment to both performance and composition, with a focus on expanding the classical music repertoire. These performances have solidified his place in the music community, allowing for meaningful exchanges between artists and listeners.

John Psathas has engaged in notable collaborations that showcase his versatility. The track “Run,” featuring Arjuna Oakes, highlights a blend of Psathas’s classical influence with contemporary sounds. Their partnership continues with “The Storm,” where the fusion of styles creates a dynamic auditory experience.

Another significant collaboration is “Calls Me” with The Nudge. This track reflects a different aspect of Psathas’s musical range, moving towards a more modern aesthetic. The collaboration with Arjuna Oakes extends further with “Craving The World” and “Twilight Fade,” both of which further explore rhythmic patterns and melodic structures that resonate well within the chamber music space. These collaborations illustrate how Psathas continues to innovate and interact with other musicians, creating a rich tapestry of sound that resonates with diverse audiences.