Jirí Malát

Jirí Malát has made notable contributions to classical music, with several standout pieces in his repertoire. One of the highlights is “Septet in E-Flat Major, Op. 20: IV. Tema con variazioni: Andante.” This track showcases a blend of rich themes and variations, offering a contemplative listening experience. Another significant work is “Quintet in E-Flat Major, Op. 16: I. Grave - Allegro ma non troppo,” which balances solemnity with lively passages, making it engaging.

Other important pieces include “Septet in E-Flat Major, Op. 20: II. Adagio cantabile,” “Septet in E-Flat Major, Op. 20: III. Tempo di menuetto,” and “Quintet in E-Flat Major, Op. 16: II. Andante cantabile.” These tracks reflect Malát’s skill in blending melodies and harmonies. Each piece adds to the depth of his musical offerings, appealing to fans of classical and orchestral music alike.

Jirí Malát has been active in the classical and orchestral music scene with some notable releases. His latest album, "Mozart: Complete Divertimenti & Serenades (2024)," presents a comprehensive collection of Mozart's work. This album showcases the intricate structures and lively spirit of the composer's divertimenti and serenades, highlighting Malát's interpretative choices.

Previously, he released "The Masterpieces - Beethoven: Piano Concerto No. 4 in G Major, Op. 58 (2020)," which focuses on one of Beethoven's key concertos. This work emphasizes the dialogue between piano and orchestra, creating a dynamic listening experience. Another significant album, "Korngold: Violin Concerto, Op. 35 & Bernstein: Serenade After Plato's 'Symposium' (2018)," pairs Korngold's lush concerto with Bernstein's reflective piece. This combination offers insight into two different musical landscapes, enriching the classical repertoire. Malát continues to contribute to the classical music world with these varied and thoughtful recordings.

Jirí Malát has engaged in notable collaborations with Ludwig van Beethoven, showcasing significant compositions. One key piece is “Septet in E-Flat Major, Op. 20: IV. Tema con variazioni: Andante.” This work highlights a blend of string and wind instruments, allowing for dynamic interplay among the musicians.

Another essential track is “Quintet in E-Flat Major, Op. 16: I. Grave - Allegro ma non troppo.” This piece features contrasting movements that display both lyrical and lively elements. The collaboration emphasizes the depth of Beethoven's chamber music, with Malát contributing to a rich interpretation.

Additionally, “Septet in E-Flat Major, Op. 20: III. Tempo di menuetto” offers a lighthearted contrast to the other works, with its engaging rhythm and charm. Each collaboration reveals different aspects of Beethoven's style, reflecting the versatility of both Malát and the compositions.