Jeffrey Tate

Jeffrey Tate has a diverse repertoire that resonates with many classical music fans. One standout piece is “Mozart: Horn Concerto No. 4 in E-Flat Major, K. 495: III. Rondo. Allegro vivace.” Its lively tempo showcases the horn beautifully, making it a favorite in concert halls. Another significant work is “Beethoven: Violin Concerto in D Major, Op. 61: II. Larghetto (Cadenza by Kreisler), Pt. 1.” This piece features a heartfelt violin line, capturing the emotional depth Beethoven is known for.

Tate's performances of essential works like “Mozart: Symphony No. 40 in G Minor, K. 550: I. Molto Allegro” and “Missa solemnis in D Major, Op. 123: Agnus Dei” further highlight his ability to engage with the music. Other notable tracks include “Mozart: Horn Concerto No. 4 in E-Flat Major, K. 495: II. Romance. Andante cantabile” and “Beethoven: Violin Concerto in D Major, Op. 61: II. Larghetto (Cadenza by Kreisler), Pt. 2.” Each piece contributes to his broad appeal in the classical music scene.

Jeffrey Tate's latest album, "Schoenberg: Transfigured Night, Op. 4 & Chamber Symphony No. 2, Op. 38 (2024)", showcases a blend of modern orchestral compositions. The pieces reflect complex themes and intricate arrangements, typical of Schoenberg's style. This release adds to his portfolio of significant works, following his previous albums, "Beethoven: Violin Concerto & Romances (2022)" and "Bach: Violin Concertos & Concerto for Violin and Oboe (2022)", which both highlight classical violin compositions.

Additionally, Tate has released a single titled "Mendelssohn: Violin Concerto (2010)", which emphasizes his skillful interpretation of classic pieces. This single is a notable addition to his body of work, alongside earlier pieces like "Bruch: Violin Concerto No. 1 (2010)" and orchestral works from Mozart. Each track contributes to a diverse collection that appeals to classical music enthusiasts.

Jeffrey Tate's collaborations highlight significant works in classical music. One notable piece is “Mozart: Horn Concerto No. 4 in E-Flat Major, K. 495: III. Rondo. Allegro vivace,” featuring the English Chamber Orchestra alongside horn player Radovan Vlatković. This collaboration showcases the lively interplay between the solo horn and the orchestra, capturing Mozart's spirited style.

Another important collaboration is “Beethoven: Violin Concerto in D Major, Op. 61: II. Larghetto (Cadenza by Kreisler), Pt. 1,” where Tate conducts the English Chamber Orchestra with violinist Frank Peter Zimmermann. The performance stands out for its emotional depth and masterful execution. Additionally, Tate worked on Beethoven's “Missa solemnis in D Major, Op. 123: Agnus Dei” with the English Chamber Orchestra, a significant choral piece that emphasizes unity and reflection.

Tate's work with Mitsuko Uchida on Mozart's “Piano Concerto No. 20 in D Minor, K. 466: 2. Romance” and “Piano Concerto No. 9 in E-Flat Major, K. 271 'Jeunehomme': 3. Rondeau. Presto” also demonstrates his versatility in conducting, enhancing the elegance of Uchida's piano interpretations.