Jall aux yeux

One of Jall aux yeux' standout tracks is "Ena," which showcases their unique sound and lyrical depth. Another notable song is "Les couleurs de l'enfer (Teške boje)," where the themes resonate with listeners, capturing a mix of emotions. Fans appreciate how the melodies blend seamlessly with the meaningful lyrics.

Other popular tracks include "Adieu," "Frida," and "Il était une fois," each offering a different vibe while maintaining the band's characteristic style. "Éteins Mes Yeux" and "C'est La Vie" continue to draw attention, along with "Qui a tué (béni ou maudit)?" and "La Sérénade." These songs reflect a range of influences and connect well with audiences, making Jall aux yeux a notable name in the rock and alternative rock scene in Bosnia and Herzegovina.

Jall aux yeux recently released their latest album, "Bonsoir Les Choses D'Ici-Bas," in 2022. This collection showcases their unique sound within the rock and alternative rock genres, reflecting their artistic evolution. Each track contributes to an overall narrative that resonates with their experiences and influences.

In addition to the album, they have been active with several singles. "Éteins Mes Yeux," released in 2022, captures a blend of introspection and energy. Following that, "C'Est La Vie," from 2021, offers a different perspective on life's challenges. The more recent singles, "Les couleurs de l'enfer (Teške boje)" in 2024 and "Frida" in 2025, continue to push their sound forward, exploring new themes and musical arrangements. Each release adds another layer to their growing discography, keeping fans engaged and anticipating what comes next.

Jall aux yeux has engaged in notable collaborations that highlight their versatility in the rock and alternative rock scene. One such collaboration is “Ena,” featuring Darko Rundek. This track combines their distinct styles, creating an engaging sound that resonates with listeners. The blend of Jall aux yeux’ musical approach and Rundek’s influence adds depth to the piece.

Another significant partnership is found in “Éteins Mes Yeux,” which includes Ana Opačak. This collaboration showcases a different facet, where both artists contribute to a more intimate and reflective atmosphere. Lastly, “La Sérénade,” featuring Nuška Drašček, rounds out their collaborative efforts. Each of these tracks reveals a willingness to explore new creative avenues while maintaining a connection to their roots.