Jakub Hrůša

Jakub Hrůša has a range of notable tracks that showcase his talent in classical and chamber music. One standout piece is “Much Ado About Nothing, Op. 11, Suite: IV. Intermezzo 'Garden Scene' (Arr. Spindler for Violin & Orchestra),” which draws listeners in with its playful yet complex melodies. Another significant work is the “Violin Concerto No. 1 in G Minor, Op. 26,” featuring several movements that alternate between energetic and reflective. The “Finale. Allegro energico” offers a lively conclusion, while the “Adagio” provides a moment of calm.

Other noteworthy tracks include “Die tote Stadt, Op. 12: Glück, das mir verblieb 'Mariettas Lied' (Perf. on Violin)” and the contrasting movements from the “Violin Concerto in D Major, Op. 35.” Pieces like “Taras Bulba, JW VI/15: I. The Death of Andrei” also highlight Hrůša’s versatility. This collection of works reflects a deep understanding of the genre, making his contributions significant in the classical music scene.

Jakub Hrůša's recent works include the album "Kabeláč: Symphony No. 2 & Overtures Nos. 1 & 2," set for release in 2025. This album features compositions by Miloslav Kabeláč, highlighting the depth of his orchestral writing. Another forthcoming album, "Bruch & Korngold," will also arrive in 2025, showcasing the diverse styles of these two composers. Additionally, "La magie de l'Avent - Musique féérique pour Noël," scheduled for 2024, promises to bring seasonal charm with its festive selections.

Recently, Hrůša has also released singles that draw attention. "Miloslav Kabeláč: Overture No. 2" is expected in 2025, alongside "Korngold: Much Ado About Nothing, Op. 11, Suite: IV. Intermezzo 'Garden Scene' (Arr. Spindler for Violin & Orchestra)." Earlier works include Strauss's "Vier letzte Lieder – Frühling" and "Die Nacht, Op. 10/3," both released in 2024. These tracks reflect a range of influences and showcase Hrůša's commitment to bringing classical music to a wider audience.

Jakub Hrůša has made notable appearances at several prestigious venues and festivals. At the Royal Festival Hall, he led the London Philharmonic Orchestra in a performance that showcased his interpretative skills. The audience appreciated his approach to both the classics and contemporary works.

During his engagement at the Philharmonie de Paris, Hrůša collaborated with renowned soloists, bringing a fresh perspective to the repertoire. His performances often highlight his versatility across various styles.

Other significant venues include the Isarphilharmonie im Gasteig HP8 and Orchestra Hall, where he has conducted a range of orchestral works. Hrůša also frequently appears at international festivals, further expanding his reach within the classical music community. His work continues to resonate with audiences, reflecting a commitment to musical excellence.

Jakub Hrůša has engaged in notable collaborations that highlight his versatility. One significant piece is “Much Ado About Nothing, Op. 11, Suite: IV. Intermezzo 'Garden Scene'” where he worked with Erich Wolfgang Korngold and Bomsori Kim. This arrangement showcases the interplay between violin and orchestra, bringing a fresh perspective to Korngold's work.

Another collaboration worth mentioning is “Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico.” Here, Hrůša partnered with Bomsori Kim and the Bamberger Symphoniker. This energetic finale demonstrates a dynamic blend of talent, showcasing Kim's prowess alongside the orchestra's rich sound.

In “Violin Concerto in D Major, Op. 35: I. Moderato nobile,” Hrůša again collaborated with Bomsori Kim and the Bamberger Symphoniker. This piece further illustrates the depth of their partnership, highlighting the emotional range of the concerto. Each collaboration reflects a commitment to interpreting classical works in engaging ways.