Gyorgy Vashegyi

Gyorgy Vashegyi has made notable contributions to classical and chamber music, with several tracks standing out. One of the highlights is “Ave verum, K. 618,” a piece that captures the essence of choral harmony. Another significant work is “Messe du couronnement, K. 317: Gloria,” which showcases a rich tapestry of sound and intricate vocal lines.

Other popular selections include “Rameau: Les Boréades, Act 4: Entrée de Polymnie” and “Messe du couronnement, K. 317: Sanctus.” The “Messe du couronnement” also features the “Kyrie,” “Agnus Dei,” and “Benedictus,” providing a full experience of Mozart’s liturgical style.

Vashegyi also delves into Rameau’s world with “Castor et Pollux, RCT 32 (1737 Version), Prologue: Ouverture” and “Les Boréades: Ouverture.” Each piece reflects a commitment to the beauty of classical music, resonating with audiences in thoughtful ways.

Gyorgy Vashegyi's recent work includes several notable albums and singles that delve into classical and chamber music. His latest album, "Rameau: Castor et Pollux (1737 Version)," was released in 2025 and showcases the composer's rich orchestration and intricate vocal lines. Following this, "Édouard Lalo: Le Roi d’Ys" also arrived in 2025, presenting a blend of drama and lyrical beauty. Additionally, "Rameau: Les Boréades" from 2024 adds to his discography with its engaging musical themes.

Among his recent singles, "Rameau: Castor et Pollux, RCT 32 (1737 Version), Prologue: Ouverture" stands out for its lively introduction. "Lalo: Le Roi d’Ys, Act I: Air. Vainement j’ai parlé de l’absence éternelle" offers a poignant moment from the opera, while "Rameau: Les Boréades: Entrée de Polymnie" brings a vibrant orchestral color. Lastly, "Massenet: Werther: Prélude" adds a different flavor with its emotional depth. These releases reflect Vashegyi's ongoing commitment to bringing classical works to contemporary audiences.

György Vashegyi's collaborations with other musicians showcase a range of classical works. One notable piece is "Ave verum, K. 618," a collaboration with Wolfgang Amadeus Mozart. This work captures the essence of choral tradition and has become a staple in the classical repertoire.

Another significant partnership is with the Orfeo Orchestra on "Rameau: Les Boréades, Act 4: Entrée de Polymnie." This collaboration highlights the intricate orchestration and lively rhythms characteristic of Rameau's compositions. The Orfeo Orchestra also joins Vashegyi in "Rameau: Les Boréades: Ouverture" and "Castor et Pollux, RCT 32 (1737 Version), Prologue: Ouverture," both of which demonstrate the rich textures and emotional depth found in Rameau's music.

The performance of "Messe du couronnement, K. 317: Sanctus," again with Mozart, offers a glimpse into the grandeur of liturgical music, showcasing the collaborative spirit that defines Vashegyi's work. Each of these collaborations reflects a commitment to bringing important classical pieces to life.