Erich Wolfgang Korngold

Erich Wolfgang Korngold's music has a distinct charm that resonates in several key pieces. One standout is the "Intermezzo 'Garden Scene'" from "Much Ado About Nothing," which showcases a delicate interplay of strings and woodwinds. Another notable track is "Mein Sehnen, mein Wähnen," a lyrical piece that captures a deep sense of longing.

His opera "Die tote Stadt" features the poignant "Glück, das mir verblieb," known for its emotional depth, and the stirring "Act I: Gluck, das mir verblieb" adds to the opera's dramatic flair. The "Violin Concerto in D Major" is also essential, with its three movements—particularly the "Moderato nobile" and the "Romance. Andante"—offering a rich showcase for the violin.

Other significant works include selections from "Die stumme Serenade" and the iconic "Main Title," which reflects his success in film music. These tracks illustrate Korngold's talent and versatility, drawing listeners into his world of melody and emotion.

Erich Wolfgang Korngold continues to make waves in the classical and orchestral music scene with recent releases. The album "The Essential Itzhak Perlman" features several of Korngold's works, highlighting his contributions to violin repertoire. Another notable album, "Great Violin Concertos," includes performances of Korngold's pieces, showcasing the richness of his compositions. "On a Summer Evening" offers a blend of Korngold's lyrical style and orchestration, appealing to a wide audience.

In addition to albums, Korngold's latest single, “Die stumme Serenade, Op. 36: No. 23, Ohne Dich,” arranged for violin and piano, captures a poignant moment in his oeuvre. The single “4 Lieder nach Shakespeare, Op. 31” features the first piece, “Desdemona’s Song,” arranged for soprano and orchestra, bringing a fresh interpretation to his work. Other recent releases include the “Much Ado About Nothing, Op. 11, Suite: IV. Intermezzo” and “Sechs Einfache Lieder Op. 9,” both reflecting Korngold's signature style and melodic strength.

Erich Wolfgang Korngold's music has found a significant place in various performances and festivals. His works were featured at the Auditorium - Orchestre National de Lyon, where audiences engaged with his unique blend of orchestral and operatic elements. The orchestra performed selections from his operas, showcasing his dramatic style and rich harmonies.

Additionally, Korngold's compositions have been present at festivals dedicated to classical music, reflecting his influence in the genre. Events like the Lucerne Festival highlight his chamber music, drawing attention to his ability to weave intricate melodies with emotional depth. These appearances have helped maintain interest in Korngold's music, connecting new audiences with his legacy. Other notable venues include the Vienna State Opera, where his operas have been staged, contributing to their reputation in the classical music scene.

Erich Wolfgang Korngold's collaborations showcase his versatility and the talent of those he worked with. In "Much Ado About Nothing, Op. 11, Suite: IV. Intermezzo 'Garden Scene'," Bomsori Kim joins conductor Jakub Hrůša and the orchestra to bring this piece to life. Their performance captures the essence of Korngold's lyrical style, blending violin and orchestral textures seamlessly.

Another notable collaboration is "Die tote Stadt, Op. 12: Glück, das mir verblieb 'Mariettas Lied,'" performed by Bomsori Kim with the Bamberger Symphoniker under Hrůša's direction. This performance highlights the emotional depth of Korngold's music, with Kim's violin articulating the poignant themes. Additionally, Bomsori Kim and Thomas Hoppe collaborated on "Die stumme Serenade, Op. 36: No. 23, Ohne Dich," showcasing their ability to create an intimate dialogue between violin and piano. Each of these collaborations reflects Korngold's enduring legacy and the skill of the musicians involved.