William Grant Still

William Grant Still composed a variety of works that showcase his unique voice in classical music. One notable piece is “Symphony No. 4 'Autochthonous': I. Moderately fast,” which reflects his ability to blend different musical traditions. “Summerland: Summerland” is another significant track, capturing a sense of nostalgia and tranquility.

His work often includes themes of heritage and identity, evident in pieces like “Lenox Avenue: The Blues” and “Out of The Silence.” In “Miniatures: I Ride an Old Paint,” he brings a folk element into the classical realm. Other important compositions include “3 Visions: II. Summerland,” “Traceries: VII. A Bit of Wit,” and “Quit dat Fool'nish (Version for violin and piano).”

“Traceries: II. Mystic Pool” and “A Deserted Plantation: III. Dance” further illustrate his diverse influences. Together, these tracks contribute to Still's legacy and highlight his role in shaping American classical music.

William Grant Still's recent work includes the album "Still & Bonds - Symphonies & Variations," set for release in 2025. This collection features a blend of symphonic and varied compositions, showcasing Still's signature style. Another upcoming release is "Fantasie," also slated for 2025, which promises to explore innovative themes within orchestral music.

In 2024, "Still: Songs & Piano Music" will add to his discography, offering a range of pieces that highlight the piano's versatility alongside orchestral arrangements. Among his latest singles, "Songs of Separation: II. Poéme" is set to debut in 2025, while "William Grant Still: Three Visions: I. Dark Horseman" was released in 2024. The single "Ennanga: II" came out in 2023, followed by "Still: A Deserted Plantation," which also debuted that year. Each track reflects Still's ongoing commitment to exploring complex themes through classical music.

William Grant Still's collaborations have brought a unique blend of voices to his works. One notable partnership is with The Philadelphia Orchestra and conductor Yannick Nézet-Séguin on “Symphony No. 4 'Autochthonous': I. Moderately fast.” This collaboration highlights Still's orchestral prowess, merging complex rhythms with rich textures.

Another significant collaboration is with violinist Kelly Hall-Tompkins on “Summerland: Summerland.” This piece showcases the intricate dialogue between the solo violin and the orchestra, revealing Still's ability to weave emotional depth into his music. Additionally, the collaboration with Jeneba Kanneh-Mason on “Three Visions: II. Summerland” further emphasizes the evocative nature of Still's compositions, as the piano and string elements interact seamlessly.

In “Ennanga: III,” harpist Ashley Jackson brings another layer to Still’s work, showcasing the instrument's lyrical qualities. The performance of “A Deserted Plantation, No. 1, Spiritual” by James Oesi adds a poignant touch, reflecting the themes of resilience and hope present in Still's music. These collaborations illustrate the lasting impact of his contributions to classical and orchestral music.