Sloveri

Sloveri has made a mark in the classical and classical crossover scene with a distinct selection of tracks. One standout piece is “Nkosi Sikelel' iAfrika,” which resonates deeply with its powerful themes and rich melodies. “Solveig's Song” also captivates with its emotional depth, showcasing a blend of traditional and contemporary influences.

Other notable tracks include “The Lost,” “Suojelusenkeli,” and “Greensleeves.” Each piece brings a unique perspective, contributing to Sloveri's diverse musical palette. “Bless The Lord, O My Soul” and “Konevitsan kirkonkellot” further highlight the artist’s ability to merge various styles. With tracks like “-30 degrees, feels like -36,” “The Revelation,” and “Peltoniemen Hintrikin surumarssi,” listeners can experience a range of emotions and soundscapes that define Sloveri's work. The music invites exploration, making it appealing to both classical enthusiasts and new listeners alike.

Sloveri has recently released several singles that showcase a blend of classical and classical crossover styles. Among these is “Little prelude in C minor, BWV 934 (2025),” which takes inspiration from Bach’s works, presenting a fresh yet familiar sound. “Dancing fairies of Erana's peace (2025)” brings an imaginative theme, inviting listeners into a whimsical musical journey.

Another notable track is “Hulvaton meno Sonkajärven pitäjänmarkkinoilla (2025),” which captures the lively spirit of Finnish cultural events. Additionally, “Jesu, meine Freude, BWV 227 (2025)” offers a choral arrangement that reflects on deeper themes of joy and faith. Each piece contributes to Sloveri's evolving discography, appealing to both classical enthusiasts and new listeners alike.

Sloveri's collaborations with Johann Sebastian Bach stand out, particularly in the arrangements for piano. One notable piece is “Suite No. 3: in D Major, BWV 1068: II. Air.” This arrangement showcases Sloveri’s ability to reinterpret a classic, making it accessible for piano audiences.

Another significant collaboration is “Liebster Herr Jesu, wo bleibst du so lange?, BWV 484.” In this piece, Sloveri captures the essence of Bach's original, translating it into a piano format that retains the work's emotional depth.

Additionally, “Herz und Mund und Tat und Leben in C Major, BWV 147: X. Chorale: Jesus bleibet meine Freude - Arr. for Piano by Sloveri” further exemplifies this partnership. Here, Sloveri takes Bach's intricate choral work and presents it in a way that highlights the piano's expressive capabilities. Each arrangement reflects a thoughtful engagement with Bach's music, making it resonate with contemporary listeners.