Orlande de Lassus

Orlande de Lassus's music continues to resonate with listeners today. One notable piece is “Adoramus te, Christe, LV 1083,” which showcases his skill in blending voices. Another significant work, “Requiem à 5: I. Requiem aeternam,” captures a somber yet beautiful moment in choral music.

Other important tracks include “Cor meum conturbatum est, IOL 58,” “Alleluia laus et gloria, IOL 8,” and “Jubilate Deo.” The “Magnificat VIII toni” offers a glimpse into his ability to create rich textures within a choral setting. Pieces like “Memor esto verbi tui, LV 832” and “Matonna mia cara” also highlight his melodic craftsmanship. The “Psalmi Davidis poenitentiales, Quartus Psalmus Poenitentialis, LV 797: Auditui meo dabis gaudium” rounds out his impressive selection. Each of these works reflects his deep understanding of choral music and continues to be performed in various settings.

Orlande de Lassus continues to contribute to the classical choral scene with recent releases. The latest album, "Lassus: The Alchemist, Vol. 2," came out in 2025, showcasing a collection of works that reflect his unique style. Alongside this, "Contemplation" and "Lassus: Penitential Psalms," both also released in 2025, further explore his musical depth and thematic concerns.

The artist's recent singles include "Lasso: Magnificat septimi toni 'Recordare Jesu pie', LV 1187," which presents a traditional choral arrangement. Another notable release is "Lassus: Sponsa Dei: I. Sponsa Dei" from 2024, which captures a contemplative mood. Additionally, "Lasso: Lectio Sexta 'Quis mihi hox tribuat', LV 681" and "Un triste coeur," both from 2024, add to his varied repertoire. Each piece reflects different aspects of his musical language and continues to engage listeners with its thoughtful composition.

Orlande de Lassus's collaboration with Philip Cave on “Memor esto verbi tui, LV 832” stands out for its clarity and balance. The performance showcases Cave's ability to bring out the nuanced harmonies in Lassus's composition, allowing the text to resonate with the audience. The interaction between the performers adds a layer of depth, reflecting the intellectual rigor of the piece.

Another significant collaboration is “Psalmi Davidis poenitentiales, Quartus Psalmus Poenitentialis, LV 797: Auditui meo dabis gaudium” with Cappella Amsterdam under the direction of Daniel Reuss. This rendition emphasizes the emotional weight of the psalm, highlighting the group's vocal precision. The blend of voices creates a rich tapestry that enhances the spiritual message of the work. Each collaboration contributes to the ongoing appreciation of Lassus's music, demonstrating its relevance in contemporary choral settings.