Mikayel Balyan

Mikayel Balyan has some notable tracks that resonate with classical music lovers. The "Introduction and Variations on Trockne Blumen from Die schone Mullerin, Op. 160, D. 802: Variation 7: Allegro" stands out for its lively tempo and engaging variations. Another compelling piece is "Cello sonata in D, Op. 58 - Allegretto scherzando," which showcases a playful character and smooth transitions.

Other popular selections include "Sonata in E flat major, Op. 5/1: I. Adagio Allegro," "Sonata in B flat major, Op. 5/3: III. Rondo," and "Cello sonata in B flat, Op. 45 - Allegro assai." Each track offers a unique glimpse into Balyan's talent and approach to the cello. The collection also features "Sonata in E flat major, Op. 5/1: II. Andante," "Cello sonata in D, Op. 58 - Allegro assai vivace," and "Sonate in F major, Op. 5/2: II. Adagio." Fans appreciate the variety and depth found in these compositions.

Mikayel Balyan's recent work includes the album "Mendelssohn - The Cello Sonatas," released in 2020. This collection features a selection of Mendelssohn’s sonatas, showcasing the interplay between cello and piano. The music reflects the composer’s lyrical style and depth, appealing to both classical enthusiasts and casual listeners.

Another notable release is "B. Romberg: Sonaten für Hammerklavier und Cello op. 5," from 2013. This album highlights Romberg’s contributions to cello repertoire, emphasizing intricate melodies and harmonies. Balyan's interpretations breathe life into the compositions, making them accessible and engaging. The combination of both albums demonstrates his commitment to bringing classical music to a broader audience while maintaining its rich traditions.

Mikayel Balyan's collaborations with Felix Renggli on Franz Schubert's compositions highlight a blend of flute and piano that resonates with classical music enthusiasts. One notable piece is “Introduction and Variations on Trockne Blumen from Die schöne Müllerin, Op. 160, D. 802: Variation 7: Allegro.” This track showcases a dialogue between the flute and the piano, with Renggli's flute providing a lyrical counterpoint to Balyan's keyboard work.

Another significant collaboration is “Violin Sonata (Sonatina) in A Minor, Op. 137, No. 2, D. 385: I. Allegro moderato,” arranged for flute and keyboard. Here, the arrangement allows for a fresh interpretation that emphasizes the melodic interplay between the instruments. Additionally, “Introduction: Andante” allows both musicians to explore the emotional depth of Schubert's music, creating a reflective atmosphere. These collaborations demonstrate the synergy between Balyan and Renggli, bringing Schubert’s timeless works to life.