Mickael Viegas

Mickael Viegas has a notable selection of tracks that highlight his skills in classical and classical crossover music. “Chôros No. 1, W161” stands out with its intricate melodies, drawing listeners in with its rhythmic patterns. Another engaging piece is “Valse-chôro,” which combines traditional elements with a modern twist.

His work in the “Suite populaire Brésilienne, W020” features multiple movements like “I. Mazurka-chôro,” “II. Schottish-chôro,” and more, each offering a unique flavor of Brazilian music. Additionally, the “12 Estudos, W235” series includes pieces such as “I. Allegro non troppo - arpejos” and “VI. Poco allegro,” showcasing technical proficiency and emotional depth. Each track contributes to a rich listening experience, making Viegas's music appealing to a wide range of audiences.

Mickael Viegas has made contributions to the classical and classical crossover genres with his latest album, “Villa-Lobos: Complete Guitar Works.” Released in 2016, this collection showcases the works of Heitor Villa-Lobos, a significant figure in Brazilian music. Viegas' interpretations bring a fresh perspective to these compositions, highlighting their intricate melodies and rhythms.

The album features a range of pieces that reflect Villa-Lobos’ unique style, blending traditional elements with modern sensibilities. Each track, including notable pieces like “Prelude No. 1” and “Etude No. 11,” reveals the depth of Villa-Lobos’ work. Viegas' guitar work allows listeners to appreciate the nuances of the music while maintaining the essence of the original compositions. This project not only serves as a tribute to Villa-Lobos but also reinforces Viegas’ place in the contemporary classical scene.