Janice Watson

Janice Watson has captivated audiences with a range of compelling pieces. One standout is “The Poisoned Kiss, Act III: Love has conquered!,” where the interplay between characters adds depth to the narrative. The emotional weight of the music resonates through the voices, creating a memorable experience. Another significant track is “Ivanhoe, Act I Scene 2: Good Palmer, thou dist speak of one I knew…,” showcasing the tension and drama inherent in the storyline.

Among other notable works are pieces like "A Litany for soprano, baritone, chorus & orchestra: Part 3 'For that fair blessed mother-maid'. Adagio," and “Bird Songs: The Woodpigeon,” which reflects a different musical style. Tracks such as “The Poisoned Kiss, Act I: O come to our arms” and “Ivanhoe: Act I Scene 3: What means his motto?” further enrich her repertoire, highlighting her versatility as a performer. Watson’s selections offer a diverse listening experience that appeals to both opera enthusiasts and casual listeners alike.

Janice Watson's latest album, "Dvorak: Stabat Mater (2012)," showcases her commitment to classical and opera repertoire. This work features intense vocal arrangements, highlighting the emotional depth of Dvořák's music. In a different vein, her earlier album, "Verdi: Don Carlos (2009)," presents a rich exploration of Verdi's dramatic storytelling through music. Each selection allows Watson to engage with the narrative in a unique way.

Recently, she released the single "George Lloyd A Litany: Part 3 'For that fair blessed mother-maid (2024)." This track adds a contemporary touch to her discography, bringing attention to Lloyd's modern composition style. Prior to this, "Don't Leave Me - Single (2017)" offered listeners a glimpse of her range and adaptability. Each piece reflects her dedication to a variety of musical expressions, demonstrating her versatility within the classical and opera genres.

Janice Watson's collaborations span a range of notable works, showcasing her vocal talent alongside respected musicians. In "The Poisoned Kiss, Act III: Love has conquered!" she partnered with Ralph Vaughan Williams and Richard Hickox, supported by the BBC National Orchestra of Wales and Pamela Helen Stephen. This piece highlights the dramatic interplay of voices, complemented by a rich orchestral backdrop.

Another significant collaboration is found in "A Litany for soprano, baritone, chorus & orchestra: Part 3 'For that fair blessed mother-maid'. Adagio," where Watson joined forces with the Guildford Choral Society and the Philharmonia Orchestra. This work features a blend of choral and orchestral elements, creating a thoughtful and moving experience.

Her contribution to "Ivanhoe, Act I Scene 2: Good Palmer, thou dist speak of one I knew..." alongside David Lloyd-Jones and Toby Spence further illustrates her versatility in operatic settings, adding depth to the narrative through her expressive performance. Each collaboration reflects a commitment to the art form and a connection with fellow musicians.