Florian Prey

Florian Prey has a solid lineup of tracks that resonate with fans of classical and opera music. One standout is “Der Schauspieldirektor, K. 486: No. 3, Terzett,” which showcases a blend of vocal harmonies, making it a favorite for many. Another track, “Der Schauspieldirektor, K. 486: No. 4, Schlussgesang,” brings an engaging conclusion that ties the themes together.

The “Der Schauspieldirektor, K. 486: Ouvertüre” serves as an exciting introduction, setting the stage for the drama that follows. Additionally, “Der Schauspieldirektor, K. 486: No. 1, Arietta” offers a delicate moment that contrasts with the more dynamic sections. These pieces highlight the variety and depth of Prey’s work, appealing to both classical buffs and those new to opera.

Florian Prey has recently released two notable live recordings. The first is "Echo of Prey (Live) (2025)," which showcases a blend of vocal and instrumental elements that engage the listener. The performance captures the essence of his musical style, presenting a clear connection between the artist and the audience.

Another release is "Cantata for Baritone and Piano, Op. 46 'Adelaide' (Live) (2025)." This piece highlights Prey's baritone capabilities, paired with piano accompaniment that complements the vocal lines. The live setting adds an intimate quality, allowing the audience to experience the nuances of the performance.

These latest tracks reflect Prey's ongoing exploration of classical and operatic themes, continuing to expand his repertoire while staying true to his musical roots.

Florian Prey’s collaboration on “Der Schauspieldirektor, K. 486: No. 3, Terzett” with Wolfgang Amadeus Mozart and Nicol Matt stands out in his repertoire. This piece showcases a blend of vocal strengths and intricate harmonies, reflecting the comedic elements of Mozart’s work.

Working alongside Nicol Matt, known for his expertise in conducting and interpretation, adds a vital layer to the performance. The synergy between the musicians enhances the clarity and dynamics of the piece, allowing for a nuanced exploration of its themes.

This collaboration highlights Prey’s ability to navigate complex roles within the operatic landscape. The interaction with both Mozart's timeless composition and Matt's conducting style creates a memorable listening experience. Such partnerships often open up new avenues for interpretation, contributing to the ongoing dialogue in classical music.