Czech Symphony Orchestra

The Czech Symphony Orchestra has a repertoire that includes several well-known pieces. One highlight is "Swan Lake (Suite), Op. 20a, TH.219: I. Scene - Swan Theme," which captures the essence of Tchaikovsky's ballet. Another favorite is Satie's "Gymnopédie No.1," known for its calming melody that resonates with many.

The orchestra also performs "Romeo and Juliet Suite No. 2 Montague and Capulets (Excerpt) Op. 64ter," a dramatic piece that showcases the story's tension. Other notable tracks include "Requiem: K. 626: Lacrimosa," "Hungarian Dance No. 5 in G Minor, WoO 1," and "Barber: Adagio For Strings, Op. 11."

Listeners can also enjoy light-hearted selections like "Can-Can From Orpheus in the Underworld" and the energetic "William Tell: Overture (Finale)." These pieces, along with "Swan Lake (Suite), Op. 20a, TH.219: 3. Scene - Danse de Petits Cygnes" and "Requiem: II. Dies irae," demonstrate the orchestra's range and appeal to diverse audiences.

The Czech Symphony Orchestra continues to expand its discography with their latest album, “Geh aus, mein Herz ... (2015).” This collection features a range of classical compositions, showcasing the orchestra's versatility and commitment to traditional repertoire. Alongside this, their recent single, “Beethoven: Symphony No. 6 (2025),” adds to their exploration of Beethoven's works, offering listeners a fresh take on this timeless symphony.

Previous albums such as “101 Opera Classics (2013)” and “Fifty Shades of Opera - 50 Sensual Arias (2012)” also highlight their focus on operatic and classical themes. Each release reflects their ongoing dedication to the genre. The single “Prelude: 49th Parallel (2025)” further emphasizes their interest in modern interpretations, presenting a unique sound that complements their established catalog. The blend of classical and contemporary elements continues to engage a broad audience.

The Czech Symphony Orchestra has engaged in notable collaborations that highlight classical repertoire. One significant piece is "Romeo and Juliet Suite No. 2 Montague and Capulets (Excerpt) Op. 64ter," featuring contributions from Sergei Prokofiev and Michaela Rózsa Růžičková. This collaboration brings together the orchestra's strength with the emotional depth of Prokofiev’s composition, enriched by Růžičková's artistry.

Another important collaboration is found in "Requiem: K. 626: Lacrimosa," also with Michaela Rózsa Růžičková. The depth of Mozart’s work shines through, and Růžičková’s involvement adds a layer of connection to the piece.

Pieces like "Swan Lake (Suite), Op. 20a, TH.219: I. Scene - Swan Theme," by Tchaikovsky, and "Gymnopédie No.1" by Erik Satie further exemplify the orchestra's ability to interpret diverse styles. Additionally, Johannes Brahms's "Hungarian Dance No. 5 in G Minor, WoO 1" rounds out a selection that showcases a range of emotional and musical landscapes.