Axel Gillison

Axel Gillison has captured attention with several notable pieces. Among the most recognized is “Rêverie, L. 68,” which showcases a gentle flow, inviting listeners into a reflective space. “Préludes, Book I, L. 117: IV. Les sons et les parfums tournent dans l'air du soir” follows, presenting a blend of scents and sounds, creating a vivid atmosphere.

Other significant tracks include “3 Gymnopédies: I. Lent et douloureux,” a poignant piece that takes its time to unfold. “Suite Bergamasque, L. 75: III. Clair de lune” brings a sense of calm, while “Piano Sonata No. 12 in F Major, K. 332: II. Adagio” and “Nocturne in E Minor, Op. 72 No. 1” add depth to his repertoire. Also worth mentioning are “Bunte Blätter, Op. 99: VI. Albumblätter,” “Piano Sonata No. 10 in C Major, K. 330: II. Andante cantabile,” and a selection of nocturnes that further illustrate his musical range. Each piece contributes to a diverse catalog that appeals to various tastes.

Axel Gillison has recently released the album “Bach: Goldberg Variations (2021),” showcasing his interpretation of this classic work. This album highlights his approach to Bach’s intricate compositions, providing a fresh take on the well-known variations. Before this, he presented “Beethoven Piano (2020),” which explored the depth of Beethoven’s piano pieces, and “Satie On the Piano (2019),” where he engaged with Satie’s unique style.

In addition to his albums, Gillison also released the single “Gymnopédies (2020),” which features a serene rendition of Satie’s pieces. Alongside this, the single “Gnossiennes (2020)” further reflects his affinity for Satie’s work. These tracks allow listeners to appreciate his skillful piano technique and interpretative choices, adding to his growing discography in classical and chamber music.

Axel Gillison's collaborations with renowned composers showcase a blend of classic works. Notable among these is "Rêverie, L. 68," a piece by Claude Debussy that captures a dreamlike quality. This work reflects Debussy's impressionistic style, providing a rich canvas for Gillison's interpretation.

Another significant collaboration is "Suite Bergamasque, L. 75: III. Clair de lune," also by Debussy. This piece is a staple in the classical repertoire, known for its serene and reflective nature. Gillison's approach to this work highlights its emotional depth.

In addition, "3 Gymnopédies: I. Lent et douloureux" by Erik Satie adds an intriguing contrast to Gillison's repertoire. Satie's minimalist style offers a different perspective, allowing Gillison to explore varying emotional landscapes.

The collaboration with Wolfgang Amadeus Mozart on "Piano Sonata No. 12 in F Major, K. 332: II. Adagio" allows for a classical touch, showcasing a different era and style. Each of these collaborations reflects a unique aspect of Gillison's musical journey.